If you have been an exceptionally good child this year, then maybe Santa Claus or your other preferred holiday icon will bring you a copy of the Batman ’66 Omnibus [DC Comics; $125] for Christmas. The reindeer won’t much like this because this handsome hardcover book weighs six pounds, but, hey, I don’t see where they have a lot of room to complain, what with their working only one night a year and all. They must have a great union. That I had to purchase my own copy of this tremendous tome probably tells you more than I’d like about my own place on the naughty/nice scale.

The 966-page omnibus collects Batman ’66 #1-30 and Batman ’66: The Lost Episode #1 plus the story behind Harlan Ellison’s outline for that last comics. Ellison wrote a treatment for the TV series back in the day, but it was never produced. Len Wein took that treatment and adapted it into a comics story drawn by Jose Luis Garcia-Lopez. It’s one of the best stories in a book filled with great stories.

Mostly written by Jeff Parker, these Batman ‘66 adventures capture the spirit of the Batman television series. Parker and the artists laugh with the series and not at it. They tell dozens of enjoyable stories that are suitable for all ages. Taking advantage of the comics format, some of these tales introduce villains that weren’t yet created or weren’t yet prominent enough to have appeared on the TV show. We get Batman and Robin’s first meetings with Poison Ivy, the Scarecrow, Croc, Harley Quinn and others. We also get stories featuring the TV series villains from the most popular – Catwoman, Joker, Penguin, Riddler – to more obscure foes like the Bookworm, Marsha Queen of Diamonds, Louie the Lilac and others.

The book also includes guest writers like the deservedly legendary Mike W. Barr, who spins a great Penguin yarn. Artistic contributors include Michael Allred, Jonathan Case, Ty Templeton, Joelle Jones and many others. Since each story is complete unto itself, you can read one or two every day when you need a break from the more grim comic books of today.

I can’t recommend this book highly enough. It would make a wondrous gift for any Batman or comics reader on your holiday shopping list.  It’s my pick of the week.

ISBN 978-1-4012-8328-5



I’m always on the lookout for interesting and new-to-me manga. My latest “find” was Graineliers Vol. 1 by Rihito Takarai [Yen Press; $13]. Though the creator is known for his yaoi manga, this series isn’t overtly yaoi. It’s a science fantasy of sorts, set in a world where plants and their seeds have unusual powers. The Graineliers who develop and grow these plants are the driving force behind the economies and social structures of this world.

If you’re unfamiliar with the term yaoi, it’s a genre of fiction, originating in Japan, that features romantic relationships between its male characters. However, unless there are developments coming in subsequent volumes, Graineliers doesn’t seem to fall precisely into this genre.

Luca illegally cultivates and sells rare seeds. This is a serious crime in his world that can result in imprisonment. When the “cops” come a’calling, Luca thinks they are after him. But they are after his father. Luca’s dad orders his son to flee. Luca escapes with a handful of rare and very powerful seeds, one of which he ingests. Which is a thing that happens in his world and usually with fairly dire consequences.

Luca ends up in a coma and, when he awakes, he’s Swamp Thing. No, not really, but he’s no longer quite human, no longer needs food to survive (just water) and may have powers of his own. With his best friend, he’s conscripted into service with a prominent Grainelier. Luca is fascinated by the man’s legendary skills, but there’s also a risk of his new nature being discovered.

I like the world of the Graineliers and the suspense of Luca’s new life. This first volume came out in December of last year with the second volume published in March of this year. I enjoyed the first volume enough that I want to read the second.

Graineliers is recommended to fans who enjoy the variety of genres to be found in manga. These days, I read almost as much manga as I do our traditional American comic books and graphic novels from all over the world.

Graineliers Volume 1 ($13):

ISBN 978-0-3164-1291-9

Graineliers Volume 2 ($13):

ISBN 978-0-3164-1599-6



Image Comics is also justly praised for the wide variety of comics stories it presents. Skyward Volume 1: My Low-G Life by writer Joe Henderson, artist Lee Garbett and colorist Antonio Fabela [$9.99] takes place in a world where gravity suddenly weakens to the point where people and objects fly into the sky to be lost forever. It’s a world where storms float above the ground in huge masses and pose a deadly threat to anyone who enters one. It’s a frightening world, but Henderson and company go beyond the horror to show us the more matter-of-fact life of their new world.

Courier Willa Fowler is trying to find her way in this new world. She lost her mother on G-Day. Her father hasn’t left his home since that day. Dad has secrets. One of the most powerful men on Earth, a former associate of Willa’s father, wants those secrets. Willa is caught in an intrigue she had no idea existed.

Skyward has humanity and horror in equal doses. Henderson’s writing and character play is first-rate, as I might have expected from the showrunner of the great Lucifer TV series. Garbett’s art is sheer wonderment. Fabela’s colors accentuate the humanity and the wonder  well. I’m really loving this series.

Skyward is recommend to comics readers, especially those who like stories starring interesting female protagonists. This is a great time to be a comics fan.

ISBN 978-1-5343-0833-6


I’ve got three conventions back-to-back this month:

November 3-4: Akron (Ohio) Comicon.

November 9-11: Grand Rapids (Michigan) Comic-Con

November 17-18: Great American Comics Convention (Las Vegas)

These will be my final conventions of the year. If you’re in any of these fine cities on these weekends, I hope you’ll try to come by and see me and the other guests.

I’ll be back next week with more reviews.

© 2018 Tony Isabella


For nearly half a century, Halloween has been a special day for me and not just for the obvious reason that it’s, you know, Halloween. I cherish the day/night for more than costumes and candy, tricks and treats, scary and silly. You see…

It was on Halloween of 1972 that, wearing my future comics legend costume, I walked into the Marvel Comics offices for my first day as an honest-to-gosh comics professional. I had been hired by Roy Thomas to assist Stan Lee and Sol Brodsky with the British comics weeklies Marvel was producing in New York and publishing in Great Britain. I can’t remember exactly which issue of The Mighty World of Marvel was my first, but I know it was the start of a career in comics that had somehow lasted 46 years and counting.

I do remember Don McGregor was the first person to greet me while I waited for Roy Thomas to come into the office. He had heard that I was in the reception area and came out to say “hi” to someone he only knew from my letters to Marvel and other comics publishers. He brought me back to the office I would share with Sol, Pablo Marcos, George Roussos and others.

My “desk” was a drawing table with a manual typewriter on it. Next to it was a two-drawer artist’s desk. The first job I did that day was putting together a letters column, which involved rewriting the less than erudite letters we had received from our partners across the pond and writing answers for them. Roy looked the letters page over, made a few changes and told me I’d done a good job on it. I don’t think he ever asked to look at anything else I wrote for the British weeklies.

It was one of the best days of my life. This despite Jim Steranko slapping me on the back of my head and telling me he was going to get me fired. It was some stupid fanzine stuff that didn’t amount to a can of beans. He couldn’t get me fired.

A bit later, I would reprint a Steranko story in one of the black-and-white magazines I edited and even had a cover painting by him on another. We’re friends today. Though we’re on opposite sides of just about any political discussion you can think of, we share an intense love of comics and a desire to see the comics creators of the past remembered and honored.

Halloween is my Marvel Day. I should probably wear a Marvel costume this year. Chubby Wolverine is usually a hit.

On to this week’s reviews…

Every year, MAD Magazine brings us a new parody of some children’s classic. This time around, we get Don’t Let the Penguin Drive the Batmobile! by Jacob Lambert with pictures by Tom Richmond [$14.99]. It’s a hilarious send-up of Mo Willems’ Don’t Let the Pigeon Drive the Bus!, the first of five Pigeon books by Willems.

The premise: Batman is busy fighting crime elsewhere. It falls to the readers to keep an eye on the Batmobile. The Penguin wants to drive the Batmobile. He really really really wants to drive it and, really, who wouldn’t?

This hardcover passes my personal test for great MAD parodies. It’s funny even if you haven’t read the book it parodies. I laughed out loud at its ending.

Don’t Let the Penguin Drive the Batmobile! would make an excellent Christmas gift for a young reader who loves Batman or for an older reader who loves Batman. I’m buying at least two more copies of it for the former and haven’t ruled it out for some older friends. It may be a fairly quick read at 40 pages, but its excellence makes it my pick of the week.

ISBN 978-1-4012-7724-6


Superman Isn't Jewish

Another DC Comics icon is referenced in Superman isn’t Jewish by  Jimmy Bemon with art by Emilie Boudet [Humanoids; $14.95]. In this graphic novel, young Benjamin equates being Jewish with Superman because the creators of Superman were Jewish. His religious father bolsters this belief with Benjamin happily accepts right up to the moment that he realizes being Jewish makes him “different” from his uncircumcised classmates. Then his being Jewish becomes his secret identity.

Ben doesn’t want to be Jewish. His mother is Catholic and, when she and his father divorce, he goes with her. Torn between his worlds, Ben wants to determine his own identity but can’t ignore what he’s inherited from his dad. His is a personal story within the larger story of Interfaith unions.

Superman Isn’t Jewish is a serious graphic novel, but it still has considerable humor. So many of us live lives in which we are torn between different aspects of our past and present lives. Bemon and Boudet examine this universal condition with poignancy.

As a bonus, this graphic novel includes secret family recipes from the creator’s Sephardic Jewish side and an exclusive link to watch the award-winning film adaptation of the graphic novel. I like this graphic novel a lot and recommend it to you and as a possible gift for comics friends with an expansive interest in the most vibrant art form of them all.

ISBN 978-1-59465-598-2


Back Issue 108

Talk about great timing. Just as the forthcoming Aquaman is getting all sorts of buzz – I’ve been asked about it frequently by friends and neighbors who aren’t into comic books per see – Back Issue #108 [TwoMorrows; $8.95] presents a special Aquaman issue with a great cover by Eric Shanower.

Editor Michael Eury has pulled together an exciting compilation of articles and art on the Sea King. He himself writes a fine piece on Aquaman’s Bronze Age team-ups. In “The Greatest Stories Never Told” feature, we learn the intended tale for Aquaman #57 and the three different times it was reincarnated by writer Steve Skeates. There are articles on Aquaman merchandise, Black Manta, the post-Crisis Aquaman, Aqualad/Tempest, The Atlantis Chronicles and more. I was especially enamored of John Schwirian’s coverage of obscure indy super-hero Seadragon and Eury’s look at the animated Aquaman movie that never was.

It’s another great magazine from TwoMorrows. If you’re looking for a gift for a comics-reading friend, you should definitely consider a subscription to Back Issue or the Roy-Thomas edited Alter Ego. I love them both.

I’ll be back next week with more reviews.

© 2018 Tony Isabella


Black Lightning Season Two kicked off on Tuesday, October 9, with an electrifying episode written by Salim Akil. My family and I were on the edge of our seats as scene after scene unfolded with crazy surprises. I had to take deep breaths during the commercial breaks and still felt exhausted by the end of the episode. I know you’re all going to think I’m a wee bit biased, but this is the best show on TV. Bar none. Great acting, writing and direction and an amazing level of dedication and talent behind the scenes. I’m so proud to be associated with this series, even distantly.

There was additional excitement for Clan Isabella that night. Our local CW station did an interview with me about why I created Black Lightning. The five-minute piece ran during their news broadcast at 7:30 pm and again at 10:30 pm. Though it proved my conjecture that I have a face for radio, I was very happy with the piece. Kudos to journalist Dan Deroos.

During one of the “what coming next” mentions of the interview, the news anchor referred to me as a “visionary.” Every one in the room burst into laughter. However, calling upon my visionary powers, I can confidently predict we will now leave my patting myself on the back and get on with this week’s reviews.


DC and Walmart had a treat waiting for me when I visited my local Medina store to pick up some Halloween candy and other supplies for that spooky holiday. Swamp Thing Halloween Horror Giant #1 [$4.99] presents a hundred pages of monsters and mayhem, including a brand-new Swamp Thing story by Brian Azzarello and artist Greg Capullo. The 12-page tale has eerie visuals and seems to be setting up some major developments for the DCU, but, alas, the writing is lacking in clarity. Fortunately, the rest of the giant is filled with some very cool reprints.

The Enchantress and Blue Devil team for a funny little vignette by Dan DiDio with artists Ian Churchill and Norm Rapmund. Paul Dini teams with artist Dustin Nguyen for a Zatanna solo story. Superman stars in a story by Steve Niles and Dean Ormston. Writer Mikey Way and artist Mateus relate a very different Batman and the Scarecrow tale. New to me was a longer, absolutely stunning Aquaman and the Demon adventure by J. Michael Straczynski and artist Jesus Saiz; it  was as chilling as its deep sea setting.

Halloween-themed reprints don’t get much more classic than “Night of the Reaper” by Denny O’Neil, Neal Adams, Dick Giordano, Harlan Ellison and Bernie Wrightson. Then, just to top things off, we get the original (non-series) Swamp Thing story by Len Wein and Bernie Wrightson. If I have a complaint about this giant, it’s the lack of a text page explaining just how special these stories were.

There’s no comics shop near Casa Isabella, so my trips to Walmart to look for these new DC giants is as close as I can come to that experience. I like the giants because I think they can bring us new readers and because, just taken as they are, they are a very good value for their cost. I recommend them.


Spook 1

If the Swamp Thing Giant was a Halloween treat, Pre-Code Classics: Spook Tales of Suspense & Mystery Volume One [PS Artbooks; $44.99] is a trick. Granted, it’s an interesting trick, but not what I was expecting from this hardcover collection.

Some background: Spook was published by Star Publications for nine issues from January 1953 to October 1954. It began with issue #22 [January 1953], which continued the numbering of several cancelled series: Criminals on the Run, Crime Fighting Detective and Shock Detective Cases. Although the cover of #22 carries the title Spook Detective Cases, the indicia lists Spook as the title.

The cover of that first issue is by L.B. Cole. The cover was new. Every interior story is reprinted from crime comics of 1946-1950. The one exception and the only story with a supernatural element is a Sergeant Spook story from a 1946 issue of Blue Bolt. The police officer was a ghost who could only be seen by psychics like his kid sidekick Jerry.

This volume reprints Spook #22-26 [January-October 1953]. There are some new horror stories by Jay Disbrow, a reprint of a Jungle Lil adventure and another Sergeant Spook yarn. Except for those tales, the other reprints are all crime stories, some of them rewritten. The standout among these is “The Kill-Crazy Monster” with garishly fun art by Rudy Palais. It’s a reprint from  Murder Incorporated #2 [March 1948].

Though disappointed by the contents, I don’t regret purchasing this book. I am fascinated by the low-rent horror comics of the 1950s, even those from the least of the comics publishers. If you share my interest in such material, you’ll want to at least read this first of two Spook volumes. I’m reading the second one at the moment and may have more to say about the title soon.

ISBN 978-1-78636-142-4


Solution Squad

If you think math is scary, Jim McClain’s Solution Squad [$24.99] fits right into our Halloween theme this week. On the other hand, if you’re as jazzed as I am by a super-hero team that fights crime while teaching math concepts, then your only fear would probably be a pop quiz on the subject.

McClain is a teacher who creates fun and educational comics. The Solution Squad are young heroes whose names and powers are based on math concepts. They are “white hat” heroes who work well together. While the math is aimed at students in grades four through eight, the adventures and fact pages contained within this 146-page volume are fun for readers young and old.

The book starts with a brief tutorial on how to read comics. It’s informative and painless. Then we get a series of exciting stories featuring smart super-heroes, clever villains and surreptitiously teaching lessons on problem solving, prime numbers and more. There are “Who’s Who” pin-ups that relate everything a reader would need to know about the heroes, their foes and their world.

McClain, working with over a dozen terrific artists, created this series, writes the stories, letters them, designs everything that goes into this hardcover book and is its co-editor. Since I know what it takes to be a great teacher, I’m astonished McClain is able to accomplish that while producing these comics stories. He is an amazing individual and a credit to comics and his profession. Yeah, I’m gushing. He deserves it.

Jim McClain’s Solution Squad is my pick of the week. In addition to the hardcover edition, the book is also available in paperback. I recommend Solution Squad to comic-book fans, students and teachers.

Hardcover [$24.99]

ISBN 978-0-9989-4231-3

Paperback [$19.99]

ISBN  978-0-9989-4250-6

I’ll be back next week with more reviews.

© 2018 Tony Isabella


I had an amazing time at the Baltimore Comic*Con the weekend before last. It was a well-run convention with over a hundred guests from comics and other media. There were dozens of vendors, some offering huge discounts on their wares. The event’s volunteers were always helpful. The cosplay was terrific and, most important of all, the fans were among the nicest I’ve met at a convention. I sold almost every book I brought, signed over a hundred Isabella-written comic books, and saw dear friends I haven’t seen in decades.

Baltimore Comic*Con gets my recommendation. Mark your calenders for next year’s event, which is scheduled for October 18-20. Tell them Tony sent you.

The next convention appearance for me will be the Syracuse NY Comic Con on Saturday, October 13, from 11 am to 7 pm at the Center of Progress Building, 581 State Fair Boulevard in Syracuse. Among the other guests are Brian Johnson and Mike Zapcik from AMC’s Comic Book Men; actors and voice actors Kirby Morrow, J.G. Hertzler and Dana Synder; and comics creators Steve Geiger, Tom Peyer, Charles Barnett III, Mike Garland, Ken Wheaton and Joe Orsak. I’m looking forward to this event.

Moving on to this week’s reviews…

Die Kitty Die: Hollywood or Bust by Dan Parent and Fernando Ruiz [Chapterhouse Publishing; $24.99] is the second collection of Kitty comic books. It was published last October, but somehow escaped my notice until recently. Let me offer some brief background on this character.

Kitty Ravencraft is a witch and the star of some of the bestselling comic books of all time. When we met her in the first volume, she was down on her luck. Her comics sales were in the toilet and her sleazy publisher was looking to kill her and use the publicity to launch a new Kitty comic book with a new character taking over the title role. He didn’t succeed, but Kitty’s new comic turned out to be another major hit.

This time around, Hollywood has come a’knocking for the film rights to Kitty’s comics. Her sleazy publisher is still trying to kill her and have someone else play her in the movie. That someone is Forest Whitaker, which gives you an idea how much crazy fun is to be had in this 128-page volume.

Parent and Ruiz mock various comics characters, classic sitcoms and more. There are “reprints” of some of Kitty’s older comics stories. There are gorgeous pin-ups. There are terrific guest artists like J. Bone, Gisele Lagace, and Bill Golliher. And, on the main Kitty stories, we get inks by Rich Koslowski and colors by Glenn Whitmore and Anwar Hanano.

I recommend Die Kitty Die: Hollywood or Bust to older readers who will appreciate the parodies. Even if you’re not an older reader, I think you’ll enjoy this book. It’s my pick of the week.

ISBN 978-1-988-24726-7


Hey Kids Comics

Howard Chaykin. He’s been one of the most interesting creators in comics for decades. Though I haven’t loved everything he has done in those decades, his name on a project means I’m going to buy it. There aren’t many creators who share that honor.

Chaykin’s Hey Kids! Comics! #1-2 [Image; $3.99 per issue] is kind of sort of a history of the American comic-book industry. The names have been changed, mostly because its characters are not meant to be precise counterparts to the creators and editors who inspired them. The anecdotes/stories, set in the years 1945, 1955, 1965 and 2001, are based on events and people in our real world comics biz. The two issues published to date are fascinating.

I take some comics history with a grain of salt. If a researcher, for example, was not in the room when the history went down, their version of the events can be hearsay or one-sided. My eyes tend to roll when such historians claim a certainty that doesn’t logically exist. Let me give you a quick example.

There is a story about a prominent comics artist whose editor did not give him a check for completed work in a timely – no relation to Timely Comics – fashion. The story would have the creator dangle the editor out a window or merely threaten to do so. I have heard this clearly exaggerated tale attributed to three different editors and at least as many creators. I don’t know if this apocryphal tale will show up in a future issue of Hey Kids! Comics!.

On the other hand, Chaykin’s story about the comics editor who gave his freelancers a list of Christmas gifts he wanted is one I have heard from more than one of those freelancers. All of whom named the same man. I can’t say the story is 100% true because I wasn’t in the room, but I believe it happened.

Chaykin doesn’t disappoint with the opening issues of Hey Kids! His art, dialogue and storytelling are all first-rate. The large cast of characters is sometimes difficult to follow, but that just gives me an excuse to reread all the previous issues as newer ones are published. Though it’s not likely, I would love to have annotations or other notes included with the inevitable collection. Then again, part of the fun is trying to figure out which real-life characters inspired Chaykin’s cast of creators.

I recommend Hey Kids! Comics! to Chaykin fans, comics history buffs and readers who enjoy stories that demand a more from them. The series is rated “M” for “Mature”.


i am neil armstrong

I am Neil Armstrong by Brad Meltzer and Christopher Eliopoulos [Dial Books; $14.99] is the latest book in their New York Times bestselling Ordinary People Change the World series for children. Intended for readers 5-8, the 40-page hardcover includes a four-page fold-out of the view from space enjoyed by Armstrong and his fellow astronauts.

As with their other books in this series, Meltzer and Eliopoulos do a fine job relating history in a lively manner. Though created for children, this book will delight older readers for its charm, its good humor and the quality of its writing and art. Any of the books in this series would make a wonderful gift for a young reader or an older one. It earns my highest recommendation.

ISBN 978-0-7352-2872-6

That’s all for now. I’ll have more reviews and news of my November convention appearances next week.

© 2018 Tony Isabella


Flaming River Con was held on Saturday, September 22, at the West Shore Unitarian Universalist Church in Rocky River, Ohio. This was the first LGBTQ comics convention in the Midwest. I was not a guest of the convention, but attended to show my support for the comics and the gay community. The name “Flaming River” stems from the time the Cuyahoga River caught on fire.

This was a terrific event. Though I could only stay for a few hours – I had a binge-watching date with my daughter Kelly – I met Sina Grace, writer of Marvel’s Iceman; caught up with my Sam Maronie, my friend of many decades; and met Sam’s husband Kevin. I hope this is just the first of many such conventions to come.

When I tell people that right now is the real Golden Age of Comics and that I’m enjoying comic books more right now than I ever have in a lifetime of enjoying comic books, one of the reasons I cite is the new characters and voices coming into our art form. Despite the relatively few “on the wrong side of history” naysayers, readers are embracing the diversity represented by creators who bring their own stories to their super-hero and other comics works. Inclusion. It’s making comics better than ever.

By the way, Kelly and I binge-watched the last few episodes of The Flash. I’ve been somewhat so-so about the past season, but anything that gets me more Ralph Dibny (as played by Hartley Sawyer) is fine by me. On to this week’s reviews…


Hercules: Adventures of the Man-God Archive [Dark Horse; $49.99] collects all thirteen issues of the 1967-1969 series published by Charlton Comics. The stories were written by Joe Gill and Sergius O’Shaughnessy (aka Dennis O’Neil). The artist was the legendary Sam J. Glanzman. The title’s editors were Pat Masulli, Dick Giordano and Sal Gentile.

Charlton paid the lowest rates and printed on the cheapest paper in the comics industry. It has been reported they published comics to keep the overall company’s presses running 24/7. This combination of factors meant generally mediocre comic books, but didn’t prevent the publication of gems like Hercules.

Hercules was a sanitized version of the mythological legend, which was not surprising given the era and the then-powerful Comics Code Authority. Thus, Hercules was said to be the son of Zeus from that god’s previous marriage and the sins that led Herc to undertake his twelve labors were never described. Both Gill and O’Neil played a bit fast and loose with other aspects of the myths, but they still got most of the key points right.

Glanzman’s art was heroic and rugged where it needed to be heroic and rugged, but he could also draw in a more whimsical and almost psychedelic style when the story called for that. Between the art and dialogue that often reflected the 1960s, Hercules was perfectly acceptable to the readers of that era. I confess I laughed out loud when an exasperated Ares says to the vindictive Hera, “Gee, ma, I hate that kid!”

Hercules: Adventures of the Man-God Archive is my pick of the week. It would be a great gift to yourself or to the comics fans in your life. My sponsors here at InStock Trades are currently offering an excellent discount on the volume. Go for it!

ISBN 978-1-50670-788-4


Border Town

Border Town #1 [DC/Vertigo; $3.99] is fun. Yeah, I know that will sound strange to those of you familiar with the comic. I mean, it starts with racists planning to murder Mexicans crossing the border into Arizona and ups the stakes with a demon slaughtering one and all. Mexicans and racists alike. As I read further into the issue, there was more racists and demons and blood-letting. If that’s not hilarity, what is?

Seriously, writer Eric M. Esquivel has crafted a solid opening to a series about a border town. It’s not just on the border of Mexico and Arizona; it’s also on the border of our world and some sort of monster dimension.

It’s the first day at a new high school for Frank. He makes a few new friends, gets attacked by one of those new friends, makes other new friends, fights one of his old new friends and then everyone is attacked by monsters who appear as whatever they fear most. For one young child, that happens to be Bane from Batman comics and movies. This is satire that has much to say about the state of our nation as empowered racists try to slow their inevitable sweeping into the dustbin of history. It’s fun with purpose.

Major props to Esquivel, artist Ramon Villalobos and colorist Tamra Bonvillain. They’ve done a fine job here. I’m in for the long haul on this scary good new series.


Casper's Ghostland

Casper’s Ghostland #1 [American Mythology Productions; $3.99] marks the 100th issue of the title. There were 98 issues in the original run (1958-1979) with a one-shot in 1992. There are two new stories and several pages of short reprint gags and stories. The main cover for the issue and the interior art for the new stories are by Eric Shanower. Very nice work.

In Mike Wolfer’s “From Bad to Curse,” Casper visits Hot Stuff (the Little Devil) in the Enchanted Forest where he is startled to hear all the animals cussing. Even Hot Stuff, no stranger to that kind of language, is surprised. The source of the rude language and the solution to the cussing epidemic are clever components of the tale. While definitely reminiscent of the old Casper stories, this one is much more contemporary. Not to worry, the cussing is represented by that comic-book standby, “@#&!#@” and similar phrasing.

In Pat Shand’s “Blow Off Some Scream,” Casper tries to help Spooky when the Tuff Little Ghost has a falling out with girlfriend Pearl. As with Wolfer’s story, this adds some contemporary touches to the classic characters.

These are followed by a selection of one-to-three-page reprint gag stories staring Nightmare, Wendy the Good Little Witch and Spooky. All are pleasant fun.

Casper is a great character and this is a perfectly readable comic book. Yet I think American Mythology could do a lot more with the friendly ghost. Without losing any of the charm or inventiveness I associated with Casper as a young reader, they could make him even more contemporary. We live in a world as strange, sometimes scarily so, as the Enchanted Forest. Maybe I should take a swing at Casper or a character like him soon.

That’s all for now. I’ll be back next week with more reviews.

© 2018 Tony Isabella