With two more “Tony’s Tips” columns to write before the end of the year, I’ve made the courageous choice to not present anything that remotely resembles a “Best of the Year” list. First off, you can’t swing a cursor without hitting one of the hundreds of those things that are available online. Second, I find such lists to be almost invariably useless.

You get the “Best of” lists that focus only on big books from the major publishers, be they the periodical Big Two or the mainstream graphic novel folks. You get the lists that concentrate on artsy-fartsy, navel-gazing that speak to the human condition, but only if  if you define the human condition as “first world problems” that a reasonable person would just deal with. You’ll get the lists that represent whatever demographic the list-maker considers themselves to be part of. Too many comics pundits are incapable of accepting comics outside their increasingly narrow interests and that doesn’t serve readers like me who like all kinds of comic books and graphic novels. There’s so much other good stuff out there.

So, for these final two columns of 2018, I’m just going to go with my usual three things I enjoyed and think some of you might enjoy as well. This week, it happens to be an item from DC, an item from Marvel and a prose and photos look at a pop culture icon. Next time out, it’ll be three other things. I roll how I roll.

DC Comics anthologies have been more miss than hit in recent years. With the exception of most of their 100-page giant collaborations with Walmart, I found them lacking in consistency and quality. To be honest, I wasn’t expecting much from DC’s Nuclear Winter Special #1 [$9.99] featuring “10 cataclysmic carols” from various post-apocalyptic DC continuities. Imagine my surprise when I enjoyed the issue so much I want to recommend it to you.

Edited by Alex Antone and Dave Wielgosz – and I’m a bit embarrassed those names are unfamiliar to me – the 80-page giant delivers some outstanding stories. The Rip Hunter: Time Master framing sequence by Mark Russell and artist Mike Norton serves that purpose and even offers some laughs along the way. The Superman One Million tale by Steve Orlando with artists Brad Walker and Drew Hennessy is a great story as is Paul Dini’s Firestorm tale with art by Jerry Ordway. I also liked stories featuring the Flash, Supergirl, Aquaman, Green Arrow, Catwoman and Kamandi. The only story that failed to hit the mark with me was the Batman 666 with its extremely lame attempt at delivering a semblance of a happy or even not awfully bleak ending. Not for the first time, I must conclude there’s too much Batman in the DCU. The company needs to recognize that it has an huge roster of equally great characters.


Jessica Jones

Between the excellent Spider-Man: Into the Spider-Verse movie and  the equally choice Jessica Jones live-action series on Netflix, I’m inspired to do some Brian Michael Bendis binge-reading in the next few weeks. While I’m getting ready for that, I read Jessica Jones: Blind Spot [Marvel; $19.99] by Kelly Thompson with artists Mattia DeIllus and Marcio Takara and colorist Rachelle Rosenberg. I read the graphic novel via my local library.

Collected here in print for the first time, Blind Spot was a Marvel digital original. Enjoying life with husband Luke Cage and their child Dani, Jessica continues her work as a private investigator. She returns to her office after a case to find the dead body of a former client she wasn’t able to help, and subsequently arrested by police officers for the murder. She learns of other powerful women who have been found murdered and discovers a link between her and all of them. After that, it’s super-hero noir with guest stars and surprising twists. By the end of issue #5 (of the six included in this trade paperback), we get a very satisfying ending to Jessica’s case. The trade paperback should have ended there.

The sixth issue is all about Dani’s birthday. It’s fun stuff until we arrive at the last-page cliffhanger. As some of you may recall from other reviews I’ve written, I absolutely loathe when a trade paperback doesn’t contain a complete story. In this case, I don’t even know where to go for the story that must follow that last-page cliffhanger. Is it available digitally? Will it be collected in a trade paperback? Did it ever conclude? Not remotely cool.

Thompson’s writing is first-rate. The art, colors and storytelling are very good as well. If there is more Thompson-written Jessica Jones out there, this book has me wanting to read it. I recommend Jessica Jones: Blind Spot to you, with the warning that it ends on the afore-mentioned cliffhanger.

ISBN 978-1-302-91292-5


Bettie Page

Bettie Page was a cultural icon whose images fascinate me and whose life is every bit as intriguing. Bettie Page: The Lost Years: An Intimate Look at the Queen of Pinups, through her Private Letters and Never-Published Photos by Toni Rodriguez with Ron Brem [Lyons Press; $27.95] explores Page’s life after the end of her modeling career. The large-size hardcover book is filled with rare materials from her sister Goldie Jane Page and supplied by Goldie’s son Ron. Often in Bettie’s own words, we get an examination of her life and her struggles beyond her unforgettable celebrity.

The book rounds out the extraordinarily special woman behind those instantly recognizable bangs, stunning figure and bright girl-next-door smile. It leaves me wanting more and, fortunately, there are other books about Bettie and even some swell comics from Dynamite Publishing. These are definite additions to my home library and I think you’ll enjoy them as well.

ISBN 978-1-4930-3450-5

I’ll be back next week with more stuff.

© 2018 Tony Isabella


If you’re still doing your holiday shopping, then you might just be in the same panic mode as your favorite Tipster. Unless you order something online RIGHT NOW, that something might not arrive in time for your Christmas or other holiday shopping. However, since this is the season of miracles, I’ll offer a few more suggestions this week…and then go out and finish my own shopping!

Take your comics-loving loved one out for an afternoon or evening at the movies. Specifically, I recommend the amazingly spectacular Spider-Man: Into the Spider-Verse, an animated feature directed by Bob Persichetti, Peter Ramsey and Rodney Rothman from a screenplay by Phil Lord and Rothman and a story by Lord. Uncredited are over a dozen comics writers and artists who created the characters who appear in this movie. Bad form, Sony. Bad form.

Despite the slighting of comics creators not named Stan Lee, Steve Ditko or Brian Michael Bendis, this story of Miles Morales becoming his world’s Spider-Man and teaming up with spider-heroes from other worlds is an exciting, stylish and emotional presentation. Every aspect of the movie from the story to the animation to the acting to the graphics to the music is stunning. Here’s the Internet Movie Database summary of the movie:

Miles Morales becomes the Spider-Man of his reality and crosses paths with his counterparts from other dimensions to stop a threat to all reality.

Shameik Moore is great as the out-of-his-element Miles. His scenes with the beaten-down-by-his-world Peter B. Parker [Jake Johnson] are the heart of the movie. Liev Schreiber is gloriously scary as the Kingpin, as is Kathryn Hahn as Doc Ock. Other notable players include Hailee Steinfeld as Gwen Stacy, Mahershala Ali as Miles’ Uncle Aaron, Lily Tomlin as Aunt May, John Mulaney as Spider-Ham, Nicolas Cage as Spider-Man Noir and Marvin ‘Krondon’ Jones III as Tombstone. Stan Lee’s cameo gave me big feels.

Though the movie does contains scenes of violence, I would rate it as suitable for all but the youngest viewers. Some of the more meta humor will be lost on non-comics afficionados, but there are still plenty of other laughs to keep things light when you need a break from the more dramatic moments. Most importantly, Spider-Man: Into the Spider-Verse has a simple-yet-profound message at its core and had me feeling hopeful as I left the theater. Stories like this one have the power to inspire. When the film is available for purchase on Blu-ray or DVD, I plan to add it to my home video collection. It’s a keeper.

Note. If you’re really doing your gift-shopping up to the very last moment, keep in mind Aquaman opens on December 21. Advance reviews of the movie are extremely positive. If I finish my shopping, I’m thinking of taking myself to it on my December 22 birthday. I will be turning 67 years old this year. Yow, am I ancient!


Batman Complete Animated Series

The deluxe limited edition of Batman: The Completed Animated Series is one of the nicest series sets I’ve seen. It’s expensive. Even at Amazon prices, you’re talking over a hundred bucks for the Blu-ray plus digital version. But, after buying one for a friend, I put it on my own wish list. If it doesn’t turn up under my tree, I’ll buy it for myself next month.

The set contains all 109 episodes in high definition. The package includes mini-Funko figures of the Batman, Joker and Harley Quinn  plus seven exclusive lenticular cards of original animation art. Two bonus discs contain animated films Batman: Mask of the Phantasm and Batman & Mr. Freeze: SubZero!

There are 25 in-depth features, including the new definitive making of Batman: The Animated Series documentary. Also include in the set are commentaries with show creators on a dozen episodes. Short of finding some way to transport a viewer into the episodes, I don’t think you could ask for a finer complete presentation of Batman: The Animated Series. Highly recommended.


Great Survival Test

One more suggestion, though just reading the title might take too long for you to buy for a Christmas present. Disney Masters Vol. 4: Daan Jippes and Freddy Milton: Walt Disney’s Donald Duck: The Great Survival Test [Fantagraphics; $29.99] is the latest in a series of hardcover books collecting classic stories from some of the world’s best Disney comics storytellers.

These tales present Donald Duck at his best and worst. He competes with Gladstone Gander for various awards. He tries to teach lessons to his Junior Woodchucks nephews. He shows his mastery of various skills and, more often than not, is undone by his pride in what he accomplishes. There are 18 stories, all of them short enough for a quick break from your workday or a comedy nightcap at the end of a workday. I have been reading these books through my local library, but I think I’ll be buying them for my home library.

Jippes and Milton are masters of comics creation, but, fortunately, they don’t suffer from the results of that mastery as our old pal Donald does. The book also includes short biographies of the men, as well as a Milton piece on “Doing It the Barks Way.” Barks is, of course, Carl Barks, the most masterful Donald Duck/Uncle Scrooge storyteller of them all.

ISBN 978-1-68396-111-6

Here’s wishing all my Tony’s Tips readers the happiest of holidays this Christmas season and the same to the great people at InStock Trades who sponsor these weekly review columns. Bless each one of you. As I see it, you’re all on the “nice” list.

I’ll be back next week with more stuff.

© 2018 Tony Isabella


How’s your holiday shopping going? I was feeling a bit prideful the other day because I’d completed my gift-buying for my best friends in the Cleveland area. Then I realized I still had family gifts to buy and long-distance gifts to buy and that one of the gifts I had purchased for one of my best friends might not arrive until the day after I get together with him and those other friends. In short, I am moving into the “losing my mind” shopping season. However, while some speck of sanity reminds, allow me to offer a few suggestions that may make your shopping go a little smoother.

Spider-Man and Iron Man are two of the most popular characters in the Marvel Cinematic Universe with the bond developed between them one of the more heartwarming aspects of their movies. If you have a MCU fan who doesn’t read many comics on your shopping list, they might enjoy Spider-Man/Iron Man: Marvel Team-Up [$24.99] by Gerry Conway, Bill Mantlo, Ross Andru, Jim Mooney, Sal Buscema and other Marvel Comics creators of the 1970s.

Running just over 200 pages, this trade paperback collects all the Spider-Man/Iron Man stories from Marvel Team-Up. That’s nine issues plus some original art reproductions and covers. The villains are among Marvel’s mightiest and the other heroes who appear keep the adventures moving.

We get Gerry Conway’s three-issue thriller of Spider-Man, Iron Man, the Human Torch and the Inhumans getting caught in the middle of a war between Kang the Conqueror and Zarrko the Tomorrow Man. Then we get Bill Mantlo’s four-issue introduction of the Wraith co-starring Doctor Strange. With script by David Michelinie, Herb Trimpe plots and draws the introduction of the volcanic menace Magma. Whiplash appears in two issues, once under his original name and once under his newer name of Blacklash. I wrote the second of those, starring Spider-Man in his black costume, Jim Rhodes as Iron Man, and set in my hometown of Cleveland, Ohio.

With the exception of my own story, which I confess I’ve read a few times over the years, this was my first time reading these stories since their original publication. I got a kick out of them and I’m thinking folks on your gift list might enjoy them as well.

ISBN 978-1-302-91368-7



Call it a hunch. When I first heard about the manga After the Rain 1 by Jun Mayuzuki [Vertical; $17.95], I was concerned. After all, it is the story of a high school student smitten by the 45-year-old manager of a family restaurant. In the world of manga, it’s hardly unusual for titles involving young women to have a creepy side and pander to fan service. Yet something about the cover showing Akira Tachibana, the reserved student, made me recognize that this manga was something else.

Akira was a sports star at her high school until an injury took her out of competition and triggered depression. She meets Masami, the divorced manager and single father, when he shows her a kindness on a rainy day. She takes a part-time job at the restaurant.

Akira is a complex heroine. She doesn’t rush into anything and she examines her feelings. But she likes Masami and wants to pursue a relationship with him. She is of legal age, but he is much older. Mayuzuki never allows the story to get creepy. Instead, there is a sweetness to the unfolding events.

In one chapter of the first volume, Akira bonds with Masami’s young son. In another, she fends off the advances of a blackmailing co-worker by agreeing to go to a movie with him.

On Akira’s first date with Masami, he takes her to the same movie. Later, she becomes upset because she was two program booklets for the movie and isn’t sure which is from her date with the manager. That program is the only one important to her.

Beautiful art, storytelling and writing make After the Rain 1 one of the most compelling of manga series. If someone on your list is a manga fan, especially if they enjoy shojo manga, I think they’ll enjoy this series. I know I’m in for the duration.

ISBN 978-1-947194-34-2


I am Sonja

Suitable for gift-giving to young readers at any time of the year, the “Ordinary People Change the World” series by Brad Meltzer and illustrated by Christopher Eliopoulos are amazing explorations of everyday folks who rose to great accomplishments by dint if their dedication and hard work. The latest in this remarkable series is I am Sonia Sotomayor [Penguin Young Readers Group; $14.99], which relates the life story of the Supreme Court Justice.

This hardcover biography in comics form is fun and inspirational. I always get a kick out of seeing the exceptional heroes of these drawn as young children. It makes them so much more relatable for the intended audience of the books. But the writing and art are so terrific that adults will find joy in them as well.

Like all the young books in the series, this one belongs in every single school and public library in the United States. All of the books in the series belong there as well. As noted above, they make great gifts for young readers. For older readers, well, for what it’s worth, this latest book has convinced me to start collecting them all. Just to have around Stately Isabella Manor if I am ever blessed with grandchildren.

ISBN 978-0-7352-2873-3


Cold Dead Hands TP

One more gift recommendation and, yes, I’m promoting something that I wrote. Black Lightning: Cold Dead Hands [DC; $16.99] collects my recent reboot of my creation. He’s younger than any version I have written before. He’s smarter than any version I’ve written before. He has a real family where, in past Isabella incarnations, he has built families around himself. His stories are more contemporary than ever before, a mixture of super-hero action, street drama, and social commentary. I think it’s the best writing I have ever done. I hope you’ll buy a copy for yourself and consider giving copies to friends and family for the holidays.

ISBN 978-1-4012-7515-0

That’s my gift recommendations for this week. I’ll have some more recommendations next week for living-on-the-edge readers who have not yet finished their holiday shopping. See you then.

© 2018 Tony Isabella


Christmas and the other seasonal holidays are drawing close, which means I’m going into “this would make a great gift” mode for the next couple weeks of “Tony’s Tips!” Let’s start with three terrific items, every one of which would make a wonderful present for those beloved comics readers in your life and every one of which should be considered a pick of the week.

If it weren’t for assorted Black Lightning comic books written by me and the amazing Black Lightning TV series, Monsters Volume 1: The Marvel Monsterbus by Stan Lee, Larry Lieber & Jack Kirby [$100] would hands down be my favorite comics thing of the year. This is almost nine hundred pages of entertainment I love: comics stories by Stan Lee, Larry Lieber and Jack Kirby, and giant monsters. This is practically a holy book to me.

The brilliant art by Kirby on display in this book has never before been collected in a book like this. Even in the late 1950s and the earliest 1960s, no comics craftsman did work as exciting as Kirby. His sure-footed layouts and ability to make the outlandish look so real knocks me out. He is well served by inkers Dick Ayers, George Klein, Steve Ditko, Christopher Rule and others. The reproduction of these tales is nothing short of magnificent.

The stories are equally choice. You’ll see the initial appearances of characters who would play roles in the future Marvel Super-Hero Universe. Groot gets the cover, but there are also debuts of Zemnu the Titan; the living Colossus who, for a variety of weird reasons,  would one day be known as “It!”;, Doctor Droom/Druid and Gorgilla the Living Gargoyle. You’ll witness the emergence of the “outsider hero” trope of nerds and down-on-their-luck individuals who would informed the super-heroes of the Marvel Universe. You’ll enjoy how popular monsters were brought back for a second shot at our planet. And, for the total Marvel geeks among us, you’ll get a kick out of how names were re-purposed for Marvel super-heroes and villains: the afore-mentioned Colossus, the Molten Man-Thing, Diablo, the Living Pharaoh, the Hulk, Goliath, Elektro, the Scarecrow, Thorr, Vandoom, Magneto and the Sandman.

Award-nominated editor Cory Sedlmeier deserves kudos and awards for what he has created here. Besides putting together this great tome, he also includes a section featuring original art pages from some of these stories and the covers of later comic books reprinting some of them. I already know I’m going to reread this first volume from cover to cover and I’ll do the same with the second volume. These books are creations to cherish.

Monsters Volume 1 ($100)

ISBN 978-1-302-90861-4

Monsters Volume 2 ($100)

ISBN 978-1-302-90862-1



I think I’m developing a thing for female assassins. Over at Dark Horse, Joelle Jones and Jamie S. Rich’s Lady Killer is a favorite. I find the darker aspects of Marvel’s Black Widow intriguing. And now I’m wild for Juniper Elanore Blue, who is described as a smart but downtrodden Seattle housewife. Juniper is one of the two lead protagonists of Crosswind Volume One by Gail Simone and Cat Staggs [Image; $9.99].

The other protagonist is Cason Ray Bennett, described as a slick, ruthless Chicago hitman. The thing is…Juniper and Cason are now living in each other’s bodies, cursed to this change of life by a mysterious old man. Cason as Juniper and Juniper as Cason makes for an entertaining and harrowing adventure.

Cason is targeted by the mobsters he works for. Juniper is dealing with her cheating husband and a stepson who won’t accept her as his mother. Everyone around the two disparate individuals is wondering what the heck’s going on. This is brilliant writing with expressive art that delivers a satisfying explanation for what’s happening and a satisfying conclusion to this first six-issue arc. I’m 100% ready for the second volume and I hope it’s not long in coming.

Side note. This is one of the most respectful treatment of a male to female (and female to male) body switch I’ve read. Simone did her homework on this and sought counsel from members of the trans community. There’s one of the reasons I’ll read any comic book she writes.

Additional side note. Crosswind is being developed for television by Vanessa Piazza, an executive producer on the TV shows Lost Girl and Dark Matter. If it makes it on air, I’ll be there.

ISBN 978-1-53343-0474-1


WGSH Holiday Special

This last item is more of a stocking stuff, provided you can bear to roll it up to stick it in a stocking. Available only at WalMart, the World’s Greatest Super-Heroes Holiday Special #1 [DC; $4.99] is a hundred pages of seasonal adventures with some of your favorite DC Comics characters.

The special leads off with an all-new Flash story by Scott Lobdell with art by Brett Booth and Norm Rapmund. You’ll see many members of the Rogues Gallery in this tale with several great moments for Captain Cold. The other stories in the issue are reprints of tales from earlier DC holiday specials. The best of these are a Superman story by Dan Jurgens and Jackson Guice that always me makes me tear up a little every time I read it; and a Batman/Alfred tale by Tom King and David Finch. Other featured characters include Supergirl, Batwoman, Harley Quinn and Green Lanterns Jessica Cruz and Simon Baz. I’m a fan of these 100-page giants and this special might be the best one yet.

That’s all for this week. I’ll be back next time with more holiday gift suggestions. Whatever holidays you celebrate – and whose gonna stop you from celebrating all of them – my wish is that this time of the year be filled with joy for all my readers.

© 2018 Tony Isabella


The Great American Comic Convention held a moving Stan Lee tribute on Sunday, November 19. The speakers included Tom DeFalco, Allen Bellman, Alex Saviuk, Ron Wilson, Randy Emberlin, Wendy and Richard Pini and others. I was happy to be at the tribute and participate in it. The crystal clear truth of Stan’s life is that he will never be forgotten. He will be remembered for his characters, stories and all he brought to the comics industry. In that spirit, I thought I would use this week’s column to talk about some of my favorite Stan Lee stories.

Many of these stories owe a great deal to Stan’s collaborators, be they artists like Jack Kirby or Steve Ditko or writers like Larry Lieber. This makes them no less Stan Lee stories. He was the light at the beginning of the tunnel and our guide on so many thrilling journeys. He will be forever honored for this.

Topping this too-short list is “Sub-Mariner Versus the Human Race!” [Fantastic Four Annual #1; 1963] by Lee, Kirby and Dick Ayers. At 37 pages of a desperate Fantastic Four defending New York from an invading Atlantean army, it was the most epic comics story I’d ever read at that time. The Four dealt with injuries and what seemed to be overwhelming odds. Namor was villain and tragic hero within the same story. The personalities of the characters were well crafted and somehow more real than the DC heroes and villains of the era. Add multiple bonus pages that introduced the FF’s world to me and the reprinting of the team’s origin and its first meeting with the Amazing Spider-Man. No wonder this comic book above all the others I’d read inspired me to want to write comics myself. It was, as I have noted elsewhere, a pivotal moment in my life.

I could write an entire column on my favorite Fantastic Four tales. I was bowled over by the Thing/Hulk battle (with key appearances by the Avengers) that ran in issues #25-26 [April-May 1964]. I would not be able to name many runs of a series that surpass issues #36-53 [March 1965-August 1966] with the introduction of the Frightful Four, the defeat of the Fantastic Four by their evil counterparts, our powerless heroes teaming with Daredevil to battle Doctor Doom in their Baxter Building headquarters, another battle with the evil FF, the introduction of the Inhumans, the Galactus trilogy, “This Man, This Monster!” (one of the finest examinations of heroism and redemption in comics history) and the first appearance of Marvel’s first black super-hero, the Black Panther.

I have the same problem with Spider-Man, which featured countless classic stories by Stan, Ditko, John Romita and other great comics artists. Heck, I’d have the same problem with just about every one of the early Marvel super-hero titles.

Spider-Man’s origin is one of the best in comics, featuring as it did the line that sums up the essence of the super-hero genre for me: “With great power, there must also come great responsibility.” Then there’s Amazing Spider-Man #33 [February 1966} where Spidey is trapped beneath an impossibly large hunk of machinery with the life of Aunt May on the line. Moving into the Romita era, I was thrilled by “The Petrified Tablet Saga” than ran from issue #68 through #77 [January-October 1969].

Tales of Suspense 69

So many great super-hero stories. The audacious Avengers yarn where the founders left the team to a roster that consisted of Captain America and three reformed villains. The X-Men’s first meeting with the Brotherhood of Evil Mutants. Giant-Man battling the Human Top. Sub-Mariner’s quest in Tales to Astonish. Iron Man’s battle with the Titanium Man. The introduction of the Falcon. Daredevil trying to prevent the much more powerful Sub-Mariner from harming innocent New Yorkers. Those glorious double-sized issues of Silver Surfer, drawn by the legendary John Buscema. Thor. Incredible Hulk. Doctor Strange. Stan and his collaborators took the super-hero genre to places no previous creators had taken it.

I came to Stan’s other comics writing after I’d been hooked by the Marvel super-heroes. Giant monsters always fascinated me as a kid and still do so today. I think the classic pre-hero giant monster story is “Fin Fang Foom!” from Strange Tales #89 [October 1961 by Stan, Larry and Jack. Set in Taiwan and Communist China, the hero is the scholarly nerd we saw in many of these stories. Ridiculed by his father and his serving-in-the-army brother for not also being a solider, he uses his knowledge of mythology to awaken the ancient dragon of the title and trick him into destroying the Communist military forces ready to invade Taiwan…and then he tricks Fin Fang Foom back into his centuries-old slumber. Nerds often rule in these giant monster thrillers.

The Lee-Ditko “surprise ending” tales are also favorites of mine. Just five pages long and yet so many of them are unforgettable. I’m especially fond of “The Terror of Tim Boo Ba!” from Amazing Adult  Fantasy #9 [February 1962]. Tim Boo Ba is the supreme ruler of his planet until he is wiped from existence by a flash flood. It turns out his planet is part of a small scale model and the flood is the splash of water spilled on the model by a young boy. That blew my mind as a kid.

Sgt. Fury 18

Stan’s work on Sgt. Fury and His Howling Commandoes was impressive. Though more pulp adventure than the war stories editor/writer Bob Kanigher was publishing over at DC Comics, they had their frequent moments of unforgettable human drama. The last page of issue #18 [May 1965] haunts me to this day. Having gotten up the courage to ask Pamela Hawley to marry him, Fury learns that she died rescuing others in a bombing attack and that her last words on this planet were “Tell my wonderful American sergeant how much I love him.” If you think that page has lost its impact over half a century later, guess again. I had tears in my eyes as I wrote this paragraph.

One more. A short story from Rawhide Kid #18 [October, 1960]. “A Legend is Born!” is one of my favorite Lee/Kirby collaborations.  In five masterful pages, Stan and Jack show their understanding of human nature, delivering action and one of the best “punch lines” ever.

The Kid is trying to have a peaceful meal when a bully, not knowing the identity of the young man, tries to push the Kid around.  Five panels is all it takes for Rawhide to show that bully and everyone else in the bar the folly of such behavior.

Rawhide escapes before the sheriff arrives.  The witnesses proceed to describe the Kid to the lawman.  They claim he was a giant with four guns the size of cannons and fists the size of sledgehammers. They say his voice was like the growl of a caged lion.  The sheriff is thrilled to have such a good description.

The last panel captions make the story…

For the record: The Rawhide Kid had an unusually low, mild voice! He was five feet, three inches, in his stocking feet, and had never in his life weighed more than one hundred and twenty-five pounds! His hands were normal size, a mite on the small side, maybe, and he carried no more than two regulation Colt .45’s!

 But human nature is what it is, and men will always color what they say!  That is why none of the records really agree about the Rawhide Kid – that is how legends are born!

This week’s column barely shows the top of the iceberg of terrific Stan Lee stories I have read since I first discovered Marvel Comics in the summer of 1963. I hope I wrote about some of your favorites this week. I know you have your own favorites. If you have your own column or blog, if you’re on Facebook or Twitter, please share your favorites with the rest of us.

Stan truly loved his fans and he gave us a plethora of reasons to love him right back. We will never forget him. Excelsior!

I’ll be back next week with some holiday gift suggestions. Or, as we usually refer to them, some reviews of cool comics and related items. See you then.

© 2018 Tony Isabella


Stan Lee passed away on Monday. When I learned of his passing, this is what I posted on social media:

Stan Lee. He was an inspiration, a mentor and a friend. I don’t have the words at this time to express how much he meant to me and how much he will always mean to me. Thank you, Stan.

Almost immediately after I posted that, Cleveland19 News asked me if I could rush to the station to appear on their five o’clock news program and talk about Stan for a few minutes. I dug around in my closet hoping that at least one of my suits was good to go, drove to downtown Cleveland while my cell phone blew up with condolences from fans, fellow comics pros and friends (Don’t worry, I didn’t look at any of them while driving.) and got to the station in time for the live broadcast. Doubtless because I learned much of my own speaking style and ability to think on my feet from Stan, I managed to find the words I needed when I needed them.

By the time I got home, there was an email from Mike Sangiacomo of The [Cleveland] Plain Dealer asking if we could talk about Stan for a piece he was writing. Mike’s a friend and fellow comics writer. We talked for several minutes.

There were other calls, emails, requests and texts. I still haven’t responded to all of them. I even missed a call from my local paper – The [Medina] Gazette – though they were able to quote me from my online post and previous interviews they had done with me. By the time Monday turned into Tuesday, I was spent. Out of gas. Not even running on steam. Spent.

I’m writing this on Wednesday. I got a good night’s sleep and had a chance to think about what I wanted to share about Stan. Forgive me if what follows is random. It’s because Stan meant so much to me in so many ways.

Fantastic Four Annual 1

When I say Stan was “an inspiration,” what I really mean is that he was my inspiration for wanting to write comic books. It was July, 1963. On a family vacation. I bought Fantastic Four Annual #1. To this day, I consider it the greatest comic book ever published. It featured the great “Sub-Mariner Versus the Human Race!” It included dozens of fact pages about the heroes and their foes. It reprinted the origin of the team and their first meeting with Spider-Man. It opened me to an entire universe of great characters, creators and stories. Most importantly of all, it made me realize that creating comic books was a job and it was a job I wanted.

I learned to read and write from the comic books before I was four years old. Adults in my family would read them to me before that. I wanted to cut out the middleman. I fell in love with this means of telling stories. Oh, I read a whole lot of prose books as well, but the comics were special to me. As a slightly older youngster, I would act out my own adventures of the Challengers of the Unknown or the Justice League of America using my Louis Marx and Company toy soldiers. I always felt bad about designating one such soldier as Wonder Woman. Today, as an adult, I would applaud her courage in being her true self.

I discovered the Marvel Universe at a time when I might well have moved on from comics. Stan and his artistic co-creators made their world so exciting that I was hooked on comics as never before.

In his letters pages, Bullpen pages, “Stan’s Soapbox” and even in the stories themselves, Stan included the readers in this amazing new world. We wanted to be part of it, either by joining the Merry Marvel Marching Society or, in the case of future comics creators like me, by working on those glorious comic books.

Secrets Behind Comics

I found a copy of Secrets Behind the Comics by Stan Lee at a comics convention. That 1947 booklet became my Bible. I even used its awkward two-column format for writing scripts in my first attempts at same. I wrote stories for countless fanzines. I was training myself to write for Marvel Comics.

When I was hired to assist Stan on The Mighty World of Marvel and other produced in New York and published in England weekly comics, he became my mentor and teacher. I learned so much from him about writing, about salesmanship, about showmanship and more. There was never a moment when I felt he took the fans for granted. He loved them and always wanted to do right by them.

The two most important lessons that Stan Lee taught a generation of comics writers were these:

With great power, there must also come great responsibility.

There is good and evil in all men.

That first nine-word quote sums up the essence of the super-hero genre. Whether those heroes live up to it or not, it is the always  goal their better selves reach for.

The second eight-word quote is just as important. It gave license to creators to write about super-heroes who were flawed, sometimes tragically so, and super-villains who were more than their crimes. Without this lesson, I don’t think I would have written all those redemption stories I’ve written over the years. In a sense, this is also a lesson of hope.

In real life, I often consider both quotes. I try to live up to the responsibilities of the public forums I enjoy. With less success, I try to consider the good in people I might otherwise loathe with every fiber of my being. Even those who have done me grievous wrong in my career have done good turns for others.

Stan Lee was the most transformative creator and figure in comics. Every writer who followed him was inspired by him in one manner or another. Some will dispute that statement of mine. I suspect that, I can refute their claims for virtually any writer they claim was not influenced by Stan.

Come back next week for the second part of my tribute to Stan Lee wherein I talk about some of my favorite Stan Lee stories. I think some of the stories on my list will surprise you.

© 2018 Tony Isabella


The 2018 convention season is winding down for me. This weekend, I will be at the always wonderful Grand Rapids Comic-Con in Michigan. This is my fourth time attending the event and it’s one of my all-time favorite conventions. Check out the show’s website for a list of all the great guests and programming.

On the following weekend, I’ll be wrapping up my 2018 appearance schedule as a guest at the Great American Comics Convention in Las Vegas. This will be my first time at a Las Vegas convention and, to make it even cooler, my Saintly Wife Barb will be attending it with me. I’ll have more details for you next week, but, at present, I’m scheduled to appear on the morning news program of the Las Vegas CW affiliate next Friday.

After these two cons, I get to stay home for two solid months and actually write stuff. My goal is to finish the two books I’ve been writing and continue developing the brand-new super-hero universe I’ve created. I have no idea how I’m going to bring this universe to the marketplace, but I’m having a grand time creating characters and concepts for it.

With Halloween behind us, it’s time to start thinking about spiffy holiday gifts for your loved ones. I have some suggestions for you this week. Let’s get started.

Barbara Slate sent me a signed copy of You Can Do a Graphic Novel: Comic Books, Webcomics and Strips [Richard Minsky; $34.95 hardcover and $24.95 paperback]. This is a new version of her 2014 You Can Do a Graphic Novel. I treasure this book both for Barbara’s friendship and because it contains terrific tips for even overly-seasoned pros like myself. At a time when there are a great many platforms for making comics and sharing them with an audience, Slate’s book will be helpful for all those comics readers who have been inspired by the comics they read to create their own works.

Slate writes about getting started making comics and then moves on to story, plot, art, creating character, writing, layout and even the dreaded creative block. It’s easy-to-understand advice that, at all times, also encourages creators to find their own style and be their best creative self. In addition to Slate’s teachings, You Can Do a Graphic Novel also includes informative information from pros like Tom DeFalco, Rick Parker, June Brigman, Barbara Brandon-Croft, Trina Robbins, Hildy Mesnik, Ray Billingsley, Danny Fingeroth, Mary Fleener, Dan Parent, Jerry Craft, Dean Haspiel and several others.

If I were teaching a class on creating comics, You Can Do a Graphic Novel would be required reading. It’s a book that will make a fine gift for any young person who wants to make comics. It’s a book I would put in the public or school library. It’s a book that’s not on my wish list, but only because I’m the first kid on my block to already have a copy of it. It’s my pick of the week.

ISBN 978-0-937258-08-8


Resident Alien

One of my favorite comic-book series will be coming to an end far too soon to suit me. Resident Alien: An Alien in New York by Peter Hogan and Steve Parkhouse [Dark Horse Books; $14.99] is the fifth and penultimate volume in the story of an alien stranded on Earth and posing as a doctor in Patience, Washington.

Doctor Harry Venderspeigle is beloved by his patients, almost none of which know he is a visitor from another planet who shipwrecked on our world. While he waits for a rescue that may never come, he  provides medical care for his patients and solves murders and other mysteries. The federal government knows there is an alien on Earth and, with each new story, is getting close to finding Harry. Each mini-series to date has delivered a satisfying story while moving the overall story further.

In An Alien in New York, Harry discovers alien symbols in New York street graffiti and travels to the Big Apple to see if they might lead him home. Traveling to such a large city is difficult for the doctor because the greater number of people make it more difficult for him to maintain the human image he projects. It’s a risk that he has to take.

The writing and art on this series is consistently excellent with co-creators Hogan (script) and Parkhouse (art) producing intriguing  stories with real drama. Parkhouse is a master of depicting emotion and Hogan’s scripts give him many opportunities to showcase that mastery. I’ve read every issue to date and then re-read them just to marvel at their talents.

I love the series so much I’m buying all of the trade paperbacks. If you’re a lover of mysteries or down-to-earth science fiction, I think you’ll enjoy this series as much as I do. If anyone on your holiday gift list likes these things, well, you know the drill. The books would also be great for public and school libraries.

If you’re a comics shop owner, expect interest in Resident Alien to go up soon. The Syfy channel has placed a pilot order for Resident Alien. Production on the pilot started in October with the popular  Alan Tudyk as Harry. I’m excited.

Resident Alien Volume 1: Welcome to Earth!

ISBN 978-1616550172

Resident Alien Volume 2: The Suicide Blonde

ISBN 978-1616554422

Resident Alien Volume 3: The Sam Hain Mystery

ISBN 978-1616557782

Resident Alien Volume 4: The Man with No Name

ISBN 978-1506701530

Resident Alien Volume 5: An Alien in New York

ISBN 978-1506705651

This outstanding series concludes with Resident Alien Volume Six: Your Ride’s Here. While I’ll miss the series, I’m looking forward to seeing how Hogan and Parkhouse bring it home.


Thirty Minutes Over Oregon

My last suggestion isn’t comics, but a fascinating look at a bit of World War II history seldom discussed. Thirty Minutes Over Oregon: A Japanese Pilot’s World War II Story by Marc Tyler Nobleman with illustrations by Melissa Iwai [Clarion Books; $17.99] is the tale of Japanese pilot Nobuo Fujita who, several months after the attack on Pearl Harbor, flew two bombing missions over the United States. Nobleman is best known in comics circles for writing non-fiction picture books about Jerry Siegel and Joe Shuster, the creators of Superman, and Bill Finger, the long-unsung co-creator of Batman. Iwai is the artist of many award-winning picture books.

Thirty Minutes covers Fujita’s military service and continues on to describe the remarkable series of events that led to him becoming an honorary citizen of the very town he tried and failed to bomb. It’s a tale of atonement and redemption, as well as a model of how even former memories can put aside their past animosity and come together in friendship.

Though the book is aimed at school children in grades one through four, I found it to be entertaining and informative. Indeed, this incredible story would make an excellent movie. It might not reach the box-office success of Crazy Rich Asians, but I think it would find an appreciative audience. I’d go see that movie.

ISBN 978-0-544-43076-1

That’s all for now. I’ll be back soon with more reviews.

© 2018 Tony Isabella


If you have been an exceptionally good child this year, then maybe Santa Claus or your other preferred holiday icon will bring you a copy of the Batman ’66 Omnibus [DC Comics; $125] for Christmas. The reindeer won’t much like this because this handsome hardcover book weighs six pounds, but, hey, I don’t see where they have a lot of room to complain, what with their working only one night a year and all. They must have a great union. That I had to purchase my own copy of this tremendous tome probably tells you more than I’d like about my own place on the naughty/nice scale.

The 966-page omnibus collects Batman ’66 #1-30 and Batman ’66: The Lost Episode #1 plus the story behind Harlan Ellison’s outline for that last comics. Ellison wrote a treatment for the TV series back in the day, but it was never produced. Len Wein took that treatment and adapted it into a comics story drawn by Jose Luis Garcia-Lopez. It’s one of the best stories in a book filled with great stories.

Mostly written by Jeff Parker, these Batman ‘66 adventures capture the spirit of the Batman television series. Parker and the artists laugh with the series and not at it. They tell dozens of enjoyable stories that are suitable for all ages. Taking advantage of the comics format, some of these tales introduce villains that weren’t yet created or weren’t yet prominent enough to have appeared on the TV show. We get Batman and Robin’s first meetings with Poison Ivy, the Scarecrow, Croc, Harley Quinn and others. We also get stories featuring the TV series villains from the most popular – Catwoman, Joker, Penguin, Riddler – to more obscure foes like the Bookworm, Marsha Queen of Diamonds, Louie the Lilac and others.

The book also includes guest writers like the deservedly legendary Mike W. Barr, who spins a great Penguin yarn. Artistic contributors include Michael Allred, Jonathan Case, Ty Templeton, Joelle Jones and many others. Since each story is complete unto itself, you can read one or two every day when you need a break from the more grim comic books of today.

I can’t recommend this book highly enough. It would make a wondrous gift for any Batman or comics reader on your holiday shopping list.  It’s my pick of the week.

ISBN 978-1-4012-8328-5



I’m always on the lookout for interesting and new-to-me manga. My latest “find” was Graineliers Vol. 1 by Rihito Takarai [Yen Press; $13]. Though the creator is known for his yaoi manga, this series isn’t overtly yaoi. It’s a science fantasy of sorts, set in a world where plants and their seeds have unusual powers. The Graineliers who develop and grow these plants are the driving force behind the economies and social structures of this world.

If you’re unfamiliar with the term yaoi, it’s a genre of fiction, originating in Japan, that features romantic relationships between its male characters. However, unless there are developments coming in subsequent volumes, Graineliers doesn’t seem to fall precisely into this genre.

Luca illegally cultivates and sells rare seeds. This is a serious crime in his world that can result in imprisonment. When the “cops” come a’calling, Luca thinks they are after him. But they are after his father. Luca’s dad orders his son to flee. Luca escapes with a handful of rare and very powerful seeds, one of which he ingests. Which is a thing that happens in his world and usually with fairly dire consequences.

Luca ends up in a coma and, when he awakes, he’s Swamp Thing. No, not really, but he’s no longer quite human, no longer needs food to survive (just water) and may have powers of his own. With his best friend, he’s conscripted into service with a prominent Grainelier. Luca is fascinated by the man’s legendary skills, but there’s also a risk of his new nature being discovered.

I like the world of the Graineliers and the suspense of Luca’s new life. This first volume came out in December of last year with the second volume published in March of this year. I enjoyed the first volume enough that I want to read the second.

Graineliers is recommended to fans who enjoy the variety of genres to be found in manga. These days, I read almost as much manga as I do our traditional American comic books and graphic novels from all over the world.

Graineliers Volume 1 ($13):

ISBN 978-0-3164-1291-9

Graineliers Volume 2 ($13):

ISBN 978-0-3164-1599-6



Image Comics is also justly praised for the wide variety of comics stories it presents. Skyward Volume 1: My Low-G Life by writer Joe Henderson, artist Lee Garbett and colorist Antonio Fabela [$9.99] takes place in a world where gravity suddenly weakens to the point where people and objects fly into the sky to be lost forever. It’s a world where storms float above the ground in huge masses and pose a deadly threat to anyone who enters one. It’s a frightening world, but Henderson and company go beyond the horror to show us the more matter-of-fact life of their new world.

Courier Willa Fowler is trying to find her way in this new world. She lost her mother on G-Day. Her father hasn’t left his home since that day. Dad has secrets. One of the most powerful men on Earth, a former associate of Willa’s father, wants those secrets. Willa is caught in an intrigue she had no idea existed.

Skyward has humanity and horror in equal doses. Henderson’s writing and character play is first-rate, as I might have expected from the showrunner of the great Lucifer TV series. Garbett’s art is sheer wonderment. Fabela’s colors accentuate the humanity and the wonder  well. I’m really loving this series.

Skyward is recommend to comics readers, especially those who like stories starring interesting female protagonists. This is a great time to be a comics fan.

ISBN 978-1-5343-0833-6


I’ve got three conventions back-to-back this month:

November 3-4: Akron (Ohio) Comicon.

November 9-11: Grand Rapids (Michigan) Comic-Con

November 17-18: Great American Comics Convention (Las Vegas)

These will be my final conventions of the year. If you’re in any of these fine cities on these weekends, I hope you’ll try to come by and see me and the other guests.

I’ll be back next week with more reviews.

© 2018 Tony Isabella


For nearly half a century, Halloween has been a special day for me and not just for the obvious reason that it’s, you know, Halloween. I cherish the day/night for more than costumes and candy, tricks and treats, scary and silly. You see…

It was on Halloween of 1972 that, wearing my future comics legend costume, I walked into the Marvel Comics offices for my first day as an honest-to-gosh comics professional. I had been hired by Roy Thomas to assist Stan Lee and Sol Brodsky with the British comics weeklies Marvel was producing in New York and publishing in Great Britain. I can’t remember exactly which issue of The Mighty World of Marvel was my first, but I know it was the start of a career in comics that had somehow lasted 46 years and counting.

I do remember Don McGregor was the first person to greet me while I waited for Roy Thomas to come into the office. He had heard that I was in the reception area and came out to say “hi” to someone he only knew from my letters to Marvel and other comics publishers. He brought me back to the office I would share with Sol, Pablo Marcos, George Roussos and others.

My “desk” was a drawing table with a manual typewriter on it. Next to it was a two-drawer artist’s desk. The first job I did that day was putting together a letters column, which involved rewriting the less than erudite letters we had received from our partners across the pond and writing answers for them. Roy looked the letters page over, made a few changes and told me I’d done a good job on it. I don’t think he ever asked to look at anything else I wrote for the British weeklies.

It was one of the best days of my life. This despite Jim Steranko slapping me on the back of my head and telling me he was going to get me fired. It was some stupid fanzine stuff that didn’t amount to a can of beans. He couldn’t get me fired.

A bit later, I would reprint a Steranko story in one of the black-and-white magazines I edited and even had a cover painting by him on another. We’re friends today. Though we’re on opposite sides of just about any political discussion you can think of, we share an intense love of comics and a desire to see the comics creators of the past remembered and honored.

Halloween is my Marvel Day. I should probably wear a Marvel costume this year. Chubby Wolverine is usually a hit.

On to this week’s reviews…

Every year, MAD Magazine brings us a new parody of some children’s classic. This time around, we get Don’t Let the Penguin Drive the Batmobile! by Jacob Lambert with pictures by Tom Richmond [$14.99]. It’s a hilarious send-up of Mo Willems’ Don’t Let the Pigeon Drive the Bus!, the first of five Pigeon books by Willems.

The premise: Batman is busy fighting crime elsewhere. It falls to the readers to keep an eye on the Batmobile. The Penguin wants to drive the Batmobile. He really really really wants to drive it and, really, who wouldn’t?

This hardcover passes my personal test for great MAD parodies. It’s funny even if you haven’t read the book it parodies. I laughed out loud at its ending.

Don’t Let the Penguin Drive the Batmobile! would make an excellent Christmas gift for a young reader who loves Batman or for an older reader who loves Batman. I’m buying at least two more copies of it for the former and haven’t ruled it out for some older friends. It may be a fairly quick read at 40 pages, but its excellence makes it my pick of the week.

ISBN 978-1-4012-7724-6


Superman Isn't Jewish

Another DC Comics icon is referenced in Superman isn’t Jewish by  Jimmy Bemon with art by Emilie Boudet [Humanoids; $14.95]. In this graphic novel, young Benjamin equates being Jewish with Superman because the creators of Superman were Jewish. His religious father bolsters this belief with Benjamin happily accepts right up to the moment that he realizes being Jewish makes him “different” from his uncircumcised classmates. Then his being Jewish becomes his secret identity.

Ben doesn’t want to be Jewish. His mother is Catholic and, when she and his father divorce, he goes with her. Torn between his worlds, Ben wants to determine his own identity but can’t ignore what he’s inherited from his dad. His is a personal story within the larger story of Interfaith unions.

Superman Isn’t Jewish is a serious graphic novel, but it still has considerable humor. So many of us live lives in which we are torn between different aspects of our past and present lives. Bemon and Boudet examine this universal condition with poignancy.

As a bonus, this graphic novel includes secret family recipes from the creator’s Sephardic Jewish side and an exclusive link to watch the award-winning film adaptation of the graphic novel. I like this graphic novel a lot and recommend it to you and as a possible gift for comics friends with an expansive interest in the most vibrant art form of them all.

ISBN 978-1-59465-598-2


Back Issue 108

Talk about great timing. Just as the forthcoming Aquaman is getting all sorts of buzz – I’ve been asked about it frequently by friends and neighbors who aren’t into comic books per see – Back Issue #108 [TwoMorrows; $8.95] presents a special Aquaman issue with a great cover by Eric Shanower.

Editor Michael Eury has pulled together an exciting compilation of articles and art on the Sea King. He himself writes a fine piece on Aquaman’s Bronze Age team-ups. In “The Greatest Stories Never Told” feature, we learn the intended tale for Aquaman #57 and the three different times it was reincarnated by writer Steve Skeates. There are articles on Aquaman merchandise, Black Manta, the post-Crisis Aquaman, Aqualad/Tempest, The Atlantis Chronicles and more. I was especially enamored of John Schwirian’s coverage of obscure indy super-hero Seadragon and Eury’s look at the animated Aquaman movie that never was.

It’s another great magazine from TwoMorrows. If you’re looking for a gift for a comics-reading friend, you should definitely consider a subscription to Back Issue or the Roy-Thomas edited Alter Ego. I love them both.

I’ll be back next week with more reviews.

© 2018 Tony Isabella


Black Lightning Season Two kicked off on Tuesday, October 9, with an electrifying episode written by Salim Akil. My family and I were on the edge of our seats as scene after scene unfolded with crazy surprises. I had to take deep breaths during the commercial breaks and still felt exhausted by the end of the episode. I know you’re all going to think I’m a wee bit biased, but this is the best show on TV. Bar none. Great acting, writing and direction and an amazing level of dedication and talent behind the scenes. I’m so proud to be associated with this series, even distantly.

There was additional excitement for Clan Isabella that night. Our local CW station did an interview with me about why I created Black Lightning. The five-minute piece ran during their news broadcast at 7:30 pm and again at 10:30 pm. Though it proved my conjecture that I have a face for radio, I was very happy with the piece. Kudos to journalist Dan Deroos.

During one of the “what coming next” mentions of the interview, the news anchor referred to me as a “visionary.” Every one in the room burst into laughter. However, calling upon my visionary powers, I can confidently predict we will now leave my patting myself on the back and get on with this week’s reviews.


DC and Walmart had a treat waiting for me when I visited my local Medina store to pick up some Halloween candy and other supplies for that spooky holiday. Swamp Thing Halloween Horror Giant #1 [$4.99] presents a hundred pages of monsters and mayhem, including a brand-new Swamp Thing story by Brian Azzarello and artist Greg Capullo. The 12-page tale has eerie visuals and seems to be setting up some major developments for the DCU, but, alas, the writing is lacking in clarity. Fortunately, the rest of the giant is filled with some very cool reprints.

The Enchantress and Blue Devil team for a funny little vignette by Dan DiDio with artists Ian Churchill and Norm Rapmund. Paul Dini teams with artist Dustin Nguyen for a Zatanna solo story. Superman stars in a story by Steve Niles and Dean Ormston. Writer Mikey Way and artist Mateus relate a very different Batman and the Scarecrow tale. New to me was a longer, absolutely stunning Aquaman and the Demon adventure by J. Michael Straczynski and artist Jesus Saiz; it  was as chilling as its deep sea setting.

Halloween-themed reprints don’t get much more classic than “Night of the Reaper” by Denny O’Neil, Neal Adams, Dick Giordano, Harlan Ellison and Bernie Wrightson. Then, just to top things off, we get the original (non-series) Swamp Thing story by Len Wein and Bernie Wrightson. If I have a complaint about this giant, it’s the lack of a text page explaining just how special these stories were.

There’s no comics shop near Casa Isabella, so my trips to Walmart to look for these new DC giants is as close as I can come to that experience. I like the giants because I think they can bring us new readers and because, just taken as they are, they are a very good value for their cost. I recommend them.


Spook 1

If the Swamp Thing Giant was a Halloween treat, Pre-Code Classics: Spook Tales of Suspense & Mystery Volume One [PS Artbooks; $44.99] is a trick. Granted, it’s an interesting trick, but not what I was expecting from this hardcover collection.

Some background: Spook was published by Star Publications for nine issues from January 1953 to October 1954. It began with issue #22 [January 1953], which continued the numbering of several cancelled series: Criminals on the Run, Crime Fighting Detective and Shock Detective Cases. Although the cover of #22 carries the title Spook Detective Cases, the indicia lists Spook as the title.

The cover of that first issue is by L.B. Cole. The cover was new. Every interior story is reprinted from crime comics of 1946-1950. The one exception and the only story with a supernatural element is a Sergeant Spook story from a 1946 issue of Blue Bolt. The police officer was a ghost who could only be seen by psychics like his kid sidekick Jerry.

This volume reprints Spook #22-26 [January-October 1953]. There are some new horror stories by Jay Disbrow, a reprint of a Jungle Lil adventure and another Sergeant Spook yarn. Except for those tales, the other reprints are all crime stories, some of them rewritten. The standout among these is “The Kill-Crazy Monster” with garishly fun art by Rudy Palais. It’s a reprint from  Murder Incorporated #2 [March 1948].

Though disappointed by the contents, I don’t regret purchasing this book. I am fascinated by the low-rent horror comics of the 1950s, even those from the least of the comics publishers. If you share my interest in such material, you’ll want to at least read this first of two Spook volumes. I’m reading the second one at the moment and may have more to say about the title soon.

ISBN 978-1-78636-142-4


Solution Squad

If you think math is scary, Jim McClain’s Solution Squad [$24.99] fits right into our Halloween theme this week. On the other hand, if you’re as jazzed as I am by a super-hero team that fights crime while teaching math concepts, then your only fear would probably be a pop quiz on the subject.

McClain is a teacher who creates fun and educational comics. The Solution Squad are young heroes whose names and powers are based on math concepts. They are “white hat” heroes who work well together. While the math is aimed at students in grades four through eight, the adventures and fact pages contained within this 146-page volume are fun for readers young and old.

The book starts with a brief tutorial on how to read comics. It’s informative and painless. Then we get a series of exciting stories featuring smart super-heroes, clever villains and surreptitiously teaching lessons on problem solving, prime numbers and more. There are “Who’s Who” pin-ups that relate everything a reader would need to know about the heroes, their foes and their world.

McClain, working with over a dozen terrific artists, created this series, writes the stories, letters them, designs everything that goes into this hardcover book and is its co-editor. Since I know what it takes to be a great teacher, I’m astonished McClain is able to accomplish that while producing these comics stories. He is an amazing individual and a credit to comics and his profession. Yeah, I’m gushing. He deserves it.

Jim McClain’s Solution Squad is my pick of the week. In addition to the hardcover edition, the book is also available in paperback. I recommend Solution Squad to comic-book fans, students and teachers.

Hardcover [$24.99]

ISBN 978-0-9989-4231-3

Paperback [$19.99]

ISBN  978-0-9989-4250-6

I’ll be back next week with more reviews.

© 2018 Tony Isabella