My Free Comic Book Day was spent at Rubber City Comics in downtown Akron, Ohio. I had a wonderful time signing comics for the fans and selling them Black Lightning and other books I’d written. One of my biggest sellers was Scooby-Doo Team-Up #46 wherein brilliant writer Sholly Fisch teamed my creation with Scooby, Shaggy, Velma and the rest of the gang. Thanks to Sholly’s respect for the characters who guest star in the book, as well as his uncanny knack for seamlessly including “in jokes” and still tell a solid suitable-for-all-ages Scooby-Doo tale, Scooby-Doo Team-Up has become my favorite current comic-book title. It gets my highest recommendation.

A special FCBD treat – and I do mean “treat” – were the scrumptious Black Lightning cookies from Sweet Mary’s Bakery, located next door to Rubber City. The bakery created several different cookies tying into the event. I might be a wee bit biased here, but I thought the Black Lightning ones were the best.

Moving on to this week’s reviews…

James Warren

Joe Kubert. Harvey Kurtzman. John Stanley. Bill Schelly is arguably our finest comics biographer. His latest triumph is James Warren, Empire Of Monsters: The Man Behind Creepy, Vampirella, And Famous Monsters [Fantagraphics Books; $29.99], the amazing, engaging tale of one of the most interesting and pivotal publishers of the 1960s and beyond. Though I only knew Warren briefly and probably only had a half-dozen or so real conversations with him, Schelly’s Warren is precisely the intriguing guy I knew in New York City.

If you were a 1960s kid into monster, Famous Monsters of Filmland was a magazine you bought whenever you could scrape together the cover price. Already crazy about comic books, I would do chores to earn “extra” money. I’d sweep out a barber’s shop. I’d collect old pop bottles. I didn’t get every issue of Famous Monsters, but I got many of them.  Editor Forrest J Ackerman was the magazine’s “star.” It wasn’t until Warren launched the black-and-white comics magazine Creepy that his name became part of my comics world.

Creepy and companion magazine Eerie were inspirational. During the unfortunate Bill Parente years, I sent at least two scripts to the magazines. Neither sold, but editor Parente included some helpful tips with the rejections. I never did sell to Warren Publications, but the early issues of these magazines and Vampirella remain among my all-time favorites. But I digress when I should be extolling the wonders of this biography.

Schelly details Warren’s childhood. He shows the man’s ambition and talent. He reveals the persona Warren cultivated and how he lived up to it more often than not. He tells of Warren’s great successes and awful defeats. He pulls no punches, but the Warren that emerges is the one I knew and wish I knew better. Schelly recognizes that James Warren is rightfully a comics legend.

Fantagraphics does its usual magnificent job designing this book. It is as handsome a hardcover as you’ll find. Running a little over 350 pages, it is a bargain at its $30 price tag and even more so if you order it at a 30% discount from InStock Trades which sponsors this column.

James Warren Empire of Monsters is a riveting book that should be in the home library of everyone who’s serious about comics history. It’s my pick of the week.

ISBN 978-1-68396-147-5


Comics Revue

Rick Norwood’s Comics Revue [Manuscript Press; $19.95] remains one of my favorite magazines. Each 130-page issue is packed with great comic strips of the past. Issue #395-396, the most recent, also has a brand-new cover by Howard Chaykin.

The cover highlights the Hollywood adventures of two heroes: Garth by legendary writer Peter O’Donnell (the creator of Modesty Blaise) and artist Steven Dowling, and Mandrake the Magician by creator and writer Lee Falk with art by Phil Davis. The Mandrake sequence is a heartwarming tale of the master magician’s encounter with a spoiled child star. The Garth tale actually takes place after his time in Hollywood and features a mysterious man name of Malvino. Has Garth finally met an adversary equal to himself? I’ll have to wait until the next issue to be sure.

My favorite stories this time around are Roy Crane’s Buz Sawyer in which the title hero is reunited with his believed-lost-at-sea wife and Stan Lynde’s Rick O’Shay. The latter kicks off what promises to be the hilarious tale of gunslinger Hipshot Percussion trying to give up smoking. Lynde was a master of action, drama, suspense and humor. Truly a classic cartoonist and strip.

Other features include the Phantom, Steve Canyon, Krazy Kat, Sir Bagby, Casey Ruggles, Flash Gordon, Alley Oop, Steve Roper, Tarzan and Gasoline Alley. I recommend Comics Revue to all fans of great comic strips. You can get subscription information by going to the magazine’s website:



This week’s odd entry is Geekerella by Ashley Poston [Quirk Books; $18.99]. Billed as a “Once Upon a Con” fangirl fairy tale, it’s a young adult novel with a modern take on Cinderella. Geek girl Elle lives with her “evil” stepmother and two “evil” stepsisters. She’s treated like a servant in the house the stepmother inherited from Elle’s late father.

What Elle shared with her parents was a love of Starfield. Her dad founded a convention honoring the cult TV series. He and her mother were amazing cosplayers who attended the convention as Federation Prince Carmindor and Princess Amara. Those are the memories which keep her going and inspire her Starfield blog.

Teen actor Darien Freeman is playing Carmindor in the reboot of the show. Elle loathes the notion of him in the role and is brutal on her blog. What she doesn’t know is that he’s a Starfield fan, too. Adding to the fun…they’ve been texting one another with neither knowing the true identity of the person for whom they’re developing feelings.

What amused me most about the novel is how it adheres to the basics of the Cinderella story while modernizing it and throwing more than a few surprises into the mix. There are heartbreaking moments and there are soul-lifting moments. There’s even a grand ball following the convention’s costume competition.

I enjoyed Geekerella, so much so that I’ll be reading its sequel – The Princess and the Fangirl – as soon as I can get the book from my local library. This novel won’t be of interest to all readers. However, if you like stories about fans, I think you’ll get a kick out of this one.

ISBN 979-1-59474-947-6

That’s all for now. I’ll be back soon with more reviews.

© 2019 Tony Isabella


Part of me thinks I held off watching Avengers: Infinity War (2018) until days before I saw Avengers: Endgame (2019) because I knew it did not end on a happy note. That’s nobody’s fault but my own. If you don’t see a movie in the first two weeks of its release, you do not have the right to get all prickly when you learn details of the movie after that.

Last Thursday, I saw Avengers: Endgame (2019) with my son Eddie and my daughter Kelly. Friday morning, I posted a spoiler-view comment on Facebook and Twitter.

Avengers: Endgame. Ten years in the making, the film is the nigh-perfect celebration of the Marvel Universe in both comics and movies. An astonishing achievement.

That is far from my last word on the movie. Now, with the blessing of Endgame directors Anthony and Joe Russo who’ve stated the ban on spoilers is rescinded, I’m devoting this week’s column to that outstanding picture. Three hours of wonderment that never once felt padded and which kept me in my seat for the entire running time. I’m not sure I even blinked.


After watching Avengers: Infinity War, I thought I had figured out where this movie would go. I convinced myself that Doctor Strange had given his time stone some sort of delayed command to undo what Thanos did and give the returned heroes another chance to deal with said cosmic killer. Time travel did play a part in the movies but not as I anticipated.

The opening scenes of the movie took me by surprise. Captain Marvel rescues Tony Stark and Nebula from the ruined planet Titan. With the surviving members of the Avengers, they hunt down Thanos and cut off his Infinity Gauntlet hand. However, Thanos had destroyed the infinity stones to ensure no one could undo what he had done.

Thor cut off his Thanos’ head, paltry consolation for all they and the universe had lost. I was as shocked by Thanos’ death as I was the movie jumping ahead five years.

The five years forward scenes were emotional. Ant-Man returns after being trapped in the Quantum Realm for five years and is reunited with his now five-years-older daughter. Black Widow and the other Avengers are desperately trying to help people on Earth and across the stars. Captain America is heading up a support group; his heart isn’t truly in it. Thanos creator Jim Starlin is a member of that support group, which made my own heart soar.

Bruce Banner has found the way to co-exist with the Hulk. Hawkeye, crushed by the loss of his family, is slaughtering criminals around the world. Thor spends his days in a drinker stupor in New Asgard, crushed by all he lost and his failure to set things right. Tony Stark and Pepper Potts have a young daughter and have found peace in this new world.


For Ant-Man, the five years was five hours. He realizes the Quantum Realm technology can be used to travel into the past and prevent Thanos from getting the stones. Tony refuses to participate until he figures how to make it work. Both he and Pepper realize he has to undertake this dangerous mission, even if it rips time asunder.

The time-travel sequences are exciting. The heroes retrieve all the stones, but not without suffering a terrible loss. Just as Thanos sacrificed Gamora to obtain the Soul Stone in the previous movie, the Black Widow sacrifices herself for the same prize.

The victory is not as complete. Nebula’s future self is compromised by her still-loyal-to-Thanos past self. This allows Thanos to get hold of the Quantum Realm technology and time-travel to the future with the overwhelming force of his armies.

In a heart-stopping sequence, Thanos attacks the Avengers in their compound. The heroes barely survive. While past Nebula tries to get the Infinity Gauntlet, the heroes face overwhelming odds. Until the first of the movie moments that made me cry.

Banner uses the Infinity Gauntlet to restore what Thanos snapped out of existence. He cannot fix everything. Those that died without being snapped are still dead. But, then there’s that great moment when, as the few surviving Avengers seemed certain to fall, portal after portal opens. All of the restored heroes join the fight. New heroes, such as Doctor Strange’s fellow mystics and a armor-wearing Pepper Potts, enter the fray. The choreography on this sequence is absolutely breath-taking. I’m not sure any Marvel or DC movie will ever be able to top it.

There are great moments within the epic battle and, fan service or not, it made me smile to see them. How could I not love the first Marvel Cinematic Universe appearance of A-Force, the gathering of so many Marvel heroines?


Once you hit the last hour of the movie, do not leave your seat. It would take a review ten times as long as this to list all the cool moments in that last hour.

The defeat of Thanos is one of the most satisfying moments in MCU history. He watches all his plans and power disintegrate before he, too, crumbles into dust. Even though using the Infinity Gauntlet fatally injures Tony Stark, I had to restrain myself from shouting out my pleasure at the soul-crushing defeat of the arrogant Titan. Then my mood shifted. Tony lingered for a bit, long enough for some final goodbyes, and passed. That was the second time I cried during the movie. There would be others.

I can’t possibly list all the spot on moments in this movie. Doctor Strange realizing his place with the other heroes. The “reunion” of Peter Quill and not-his-Gamora. The sisterly banter between Gamora and Nebula. Captain America wielding Mjolnir because he’s totally worthy. Giant-Man kicking ass. Steve Rogers finally having the life he always deserved. The passing of the shield to Sam Wilson. Wanda and Clint mourning the Vision and Natasha.

That funeral scene. So many great actors and characters together in one special place in time. I’m tearing up again even thinking about it. Magnificent filmmaking.

One last moment. Though there are no end-credits scenes presaging the next MCU triumph, there is the clanking of Tony Stark building his first Iron Man suit. Whether it be foreshadowing or tribute to the movie that started this journey, it was the right final touch to Avengers: Endgame.


What comes next? Certainly there are time paradoxes to explore in future movies. We might see a little bit of that in Spider-Man: Far from Home, which takes place after Endgame.

My own wish is that we not get another epic movie like Endgame for a good long time. There are many smaller stories to be told, many great characters who can be the focus of those stories.

Endgame is the end of an era. Let the new era begin.

I’ll be there for every one of those movies.

That’s all for now. I’ll be back soon with more reviews.

© 2019 Tony Isabella


Welcome to the 300th installment of “Tony’s Tips!” at the Tales of Wonder website. At least I think it’s the 300th installment. I am not 100% confident that we haven’t slipped up on the numbering in the five plus years I’ve been writing columns for this venue. But, hey, in the name of having a reason to celebrate, I ask all of you to assume our count is correct.

This week’s pick of the week is Mike Grell: Life Is Drawing Without An Eraser by Dewey Cassell with Jeff Messner [TwoMorrows; $27.95]. It’s a tribute to my good friend Mike, who also happens to be one of my favorite comics creators. One of my reasons for naming him as such is because there’s no mistaking a Grell story for a story by anyone else. Whether he writes it, draws it or does both, Mike’s an  original. I value that more and more each passing year as too many publishers, editors and, sadly, even creators, adopt house styles in their writing and art.

Cassell and Messner’s beautifully produced tribute to Grell covers his career in extensive, entertaining detail. Whoever your favorite Grell character is, they claim you will find them in this 176-page softcover volume. They ain’t wrong. I’m not going to say the book includes characters I had forgotten about – How can you forget one of Mike’s characters? – but they include some fairly obscure ones here. Push comes to shove, my favorite Grell character is Jon Sable except on the days when it’s his version of Green Arrow.

Most of Grell’s career is told in his own words. There are several interviews with folks like Dan Jurgens, Denny O’Neil and Mike Gold. There’s an examination of the Mike Grell method of creating comics. There’s a checklist of his work. And there’s so much gorgeous Mike Grell art I found myself lingering on the images.

One of my genuine comics career regrets is that I never got to work with Mike and, as I say that, I’m picturing him drawing a new Tigra story by me. But I feel privileged that we’ve been friends for over four decades. He’s a great creator and a great man.

I recommend this book to aspiring comics artists and writers, and to comics history buffs. Grell has lessons for all of you.

ISBN 978-1-60549-088-5


Red Sonja Worlds Away 1

I’m kind of getting into Red Sonja for the first time in decades, this despite my strong belief that her iconic costume is one of the dumbest in comics history. You’ve heard all the jokes about chain mail irritation and the like, so I won’t repeat them.

If I were asked to write Red Sonja, you’d all hate me. I would find a reason to put her into the iconic costume from time to time, but I’d have her dressed more reasonably when it came to her doing the demons and monsters and wizards slaying. Fortunately, for those of you would surely hate me for this blasphemy, I don’t have to write Red Sonja because there are a lot of good Red Sonja comics already out there.

Red Sonja Worlds Away: Volume 1 by Amy Chu with artist Carlos Gomez  [Dynamite; $19.99] is one of them. After a tussle with Kulan Gath, Sonja finds herself transported to modern-day New York City. Before long, the city that never sleeps is having nightmares as the long-lived Gath kicks off his centuries-in-the-works plan to conquer the Big Apple and the world.

Red gets two allies, both of them police officers. That was a good way to hook me because you know I love cops and super-hero tales. (I’m not remotely strong enough to resist mentioning my own recent Black Lightning: Cold Dead Hands series.)

Max can speak Sonja’s language to some extent and that’s only one of the intriguing things about him. Partner Jay is a warrior woman in her own right. I bonded with these two almost as quickly as did Red Sonja.

Mystical peril in the modern world. Likeable heroes. Evil wizard. Cool monsters. What’s not to like?

I got the first volume from my local library. As often happens with graphic novel series, the system doesn’t have the second volume. I bought one because I like the first one enough to want to read the rest of them. Consider that my recommendation.

ISBN 978-1-524-10376-7


Delinquent Housewife

Manga comes in all lengths. Popular series can run into dozens of volumes. Other series run fewer volumes, often by design. At four volumes, Nemu Yoko’s The Delinquent Housewife [Vertical; $12.95 per volume) strikes me as a series that failed to find an audience and ended early. Here’s the premise:

Tohru Komukai sends his bride-to-be Komugi to live with his family until he returns from an overseas job. Komugi has secrets to hide. She doesn’t know how to do housework. She used to belong to an all-girls bosozoku (riding out of control) biker gang. There’s another secret not revealed until late in the series.

Dai, the younger brother of Tohru, learns some of Komugi’s secrets. He also develops a sexual interest in her that becomes more than a little creepy as the series progresses. The creepy elements weigh heavily on the more heartwarming and humorous aspects of the story.

That’s the bare bones of the series. After reading all four books, it took me a while to sort out my feelings about the manga. Which include not recommending it to you.

The Delinquent Housewife tries hard, but it never comes together. The art is very nice and there are some good scenes. It tries for a satisfying albeit truncated conclusion, but doesn’t really nail it. I did like it well enough that I’ll be on the lookout for some of Yoko’s other manga series.

The Delinquent Housewife 1:

ISBN 978-1-947194-17-5

The Delinquent Housewife 2:

ISBN 978-1-947194-23-6

The Delinquent Housewife 3:

ISBN 978-1-947194-29-8

The Delinquent Housewife 4:

ISBN 978-1-947194-51-9

That’s all for now. I’ll be back soon with more reviews.

© 2019 Tony Isabella


Much to my dismay, I find I have wearied of PS Artbooks’ hardcover collections of classic and usually not-so-classic horror comics of the 1950s. While I am endlessly fascinated by the comics published by companies that are no more than ghosts today, I simply read too many of the volumes in too close proximity to one another. Clearly, I needed something different.

Perhaps PS read my mind, but I absolutely loved Pre-Code Classics: The Crime Clinic Volume One [$44.99]. This was a crime comic with a difference. It starred Dr. Tom Rogers, a prison psychiatrist, and focused on returning convicts to society by treating their mental and sometimes physical ailments. This book collects all five issues of the unusual title cover-dated July 1951 to Summer 1952.

While the Batman comics of the 1940s and 1950s – back when Batman was sane – did several wonderful stories about reformed criminals, reformation was the core value of the Dr. Tom Rogers stories. Even when faced with seemingly unsalvageable criminals, the good doctor found a way to reach them and offer them a chance of a better life in the future. With prison and sentencing reform finally becoming something of a bipartisan issue, this social justice comic was way ahead of its time.

Though the Dr. Tom stories are the highlights of these issues, the title offered some other interesting features as well. “The Padre” appeared twice; he was a Catholic priest in a slum neighborhood who worked to keep boys and older men alike on the straight and narrow.
Private eye Barney Bailey appeared once. In addition to the series stories, Crime Clinic would feature one-off stories with surprise endings, a true-crime tale written by Carl Wessler, multiple crime-related gag pages and the usual text stories I never seem to read. Maybe someday.

Outside of that one story by Wessler, we don’t know who wrote Crime Clinic stories. We do know the artists.

The legendary Norman Saunders painted all five covers. The Dr. Tom stories were drawn by Leonard Starr, John Prentice, Al McWilliams, Irv Novick and Nick Cardy. The Padre was drawn by Mike Suchorsky. Barney Bailey was drawn by Arthur Peddy. The final issue one-offs were drawn by Gerald McCann and Frank Kramer.

Pre-Code Classics: The Crime Clinic Volume One is my pick of the week. I know PS plans some other crime volumes and hope they delve into western, romance, war and teen humor as well. I would buy all of them. And, just to be clear, I haven’t given up on their horror volumes. I still buy them all, still intend to read them, and still plan to do some different things with them in the future.

ISBN 978-1-78636-478-4

Gorgo vs. Konga

I have worked with some fairly childish editors in my nearly fifty years in comics, but eight-year-old Griffin Yoe is the first actual child listed as editor of a project to which I contributed. The son of Craig Yoe, Griffin picked the four stories reprinted in Ditko’s Monsters: Gorgo vs. Konga [Yoe Books/IDW; $9.99].

One of the best things about Ditko’s Monsters: Konga vs. Gorgo is Griffin’s brief notes as to why he picked the stories he chose for this flipbook. One side is Gorgo, the other side is Konga and the whole package is delightful.

The Gorgo side has an introduction by me. It reprints the Charlton Comics adaptation of the Gorgo movie as presented by the prolific writer Joe Gill and artist Steve Ditko. The second story is “Gorgo Captured” from 1963. Gill and Ditko has a knack for combining big monster action with human comedy, drama and romance.

The Konga side has a wonderful remembrance of Ditko by his nephew Mark. It skips the Konga movie adaptation – the movie was not good – and goes to two 1962 stories. The Konga series had continuity of a sorts and the second of these two tales begins directly after the first of them. More great stuff.

Daddy Yoe has collected all the Ditko-drawn Gorgo and Konga comic books in handsome hardcover editions that are worth whatever you have to pay for them. As good as these books are, I dream for the complete collections of Gorgo, Konga and Reptilicus/Reptisaurus. Even when not drawn by Ditko, these are fun comics that I continue to enjoy to this day.

ISBN 978-1-68405-447-3

marooned lagoon

Scott Shaw is one of my favorite cartoonist. When I learned he had illustrated a children’s book, I ordered it immediately. Written by Paul Gerrish, Marooned Lagoon [Play-tone, LLC; $19.99] is a 76-page oversized – 12.2 x 9.4 inches – hardcover adventure of very young animals separated from their families by a hurricane.

The kid critters must work together to survive. Not every one is a team player. Some of the alliances are scary at first. But, at the end of this first book, friendship and working together keeps the youngsters safe.

The story is entertaining. The writing is great. The illustrations give me more reason to consider Shaw one of the finest cartoonists working today. I’m looking forward to the next book in the series.

Marooned Lagoon is suitable for all ages. I wish my kids were still young enough for me to read it to them. But, since they’re 30 and 27 years old, respectively, that would be awkward.

ISBN 978-1-7321927-0-6

Free Comic Book Day is almost upon us. This year, I’ll be making an appearance at a new-for-me venue. On Saturday, May 4, you’ll find me signing and talking about comics at Rubber City Comics at 74 E. Mill Street in downtown Akron, Ohio. Voted Akron’s best comic-book shop for three years running, the store will be open from 10 am to 5 pm. If you’re in the area, come on over!

I’ll be back with more reviews next week.

© 2019 Tony Isabella


I love comics. I love making comics. I love reading comics. I love talking about comics. Every now and then, someone asks me to talk about comics somewhere other than at a convention or online. Like the “Coffee and Comics” storytelling workshop I’ll be doing for the Ohio Center for the Book in conjunction with the Cleveland Public Library. It happens on Saturday, April 27, 10:00-11:30 am at the Rising Star Coffee Roastery, 3617 Walton Avenue in Cleveland, Ohio.

Comics are a visual medium. A comics writer must know how to write a script for an artist and the artist has to know how to turn that script into art that carries the story through however many panels and pages said story requires.

Writers have to think visually and recognize what an artist can and cannot fit into a panel or a page. That often means killing one’s darlings to keep the story moving. Artists have to think about the story as well. It’s not enough to draw great pictures. Those images have to keep the story moving.  Whether you’re a writer or artist, telling the story is job one.

For this workshop, I’m going to provide my “students” with random script pages for comics stories in various genres. At the moment, I plan to write pages for a super-hero story, a horror story and a romance/slice-of-life story.

While I answer questions about comics storytelling, the artists in the class will be asked to rough out a page layout. I don’t expect anyone to finish penciling a page in an hour-and-a-half, but that rough layout should be doable. Of course, where this workshop gets more interesting is what happens next. Which I’ll reveal after this  week’s reviews…

This is not the kind of book I would normally review here. It does not have much to do with comics. However, Mallory O’Meara’s The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick [Hanover Square Press; $26.99] speaks to me on so many levels that I’m making an exception.

Milicent Patrick was the woman who designed the Creature from the Black Lagoon, who is not only my favorite of the classic Universal monsters but one of my favorite monsters of all. Horror movie maker O’Meara was inspired by the Creature and, later in her life, by her discovery that a woman was behind the design of the so alien and so human Gill-Man. It inspired her in her own career and it inspired her to learn more about the woman who’d been virtually erased from the history of horror movies.

Patrick was an artist, an actress, a designer, a model and so many things. She was a troubled free spirit and so stunningly beautiful that many reporters and researches made her beauty the story. She was sent on a tour to promote The Creature from the Black Lagoon.
Part of the tour agreement was that she not claim credit for her work and instead praise department head Bud Westmore, who was one horrible human being. Jealous of Patrick’s fame and talented, the despicable Westmore fired her when she returned from the tour. He also got his brother drunk in order to steal a job from him. Not a good man, but I don’t want to make him the story.

Patrick was amazing in every aspect of her life, including, sadly, her inability to overcome a family that considered her little more than a whore. Then and now, that’s the go-to for diminishing an accomplished woman. I certainly relate to her story, albeit in ways I’m not yet comfortable writing about.

What I am comfortable writing about is that attempt to erase her. Because it’s common to the comics industry as well. Creators are an inconvenient truth for publishers, editors and even those who write about comics. There are those who try to ignore how much the Black Panther movie owes to writer Don McGregor. For decades, DC Comics went along with the diminishing of Batman co-creator Bill Finger. It’s a comics industry cancer that has been going on since the dawn of the industry.

In her role as biographical detective, O’Meara does an incredible job of uncovering Patrick’s story and making it real for readers. There are sections that brought me to tears. Though I got the book through my local library system, I ended up buying a copy to add to my own home library. I love it that much.

The Lady from the Black Lagoon is my pick of the week. I recommend it to fans of the Creature, students of horror films, supporters of the enormous contributions women and other outsiders have brought to the cinematic and comics arts. We have to remember these great creators, past and present and future.

ISBN 978-1-335-93780-3

Giant Days 9

As with previous collections of the title, Giant Days Volume Nine by John Allison and Max Sarin [BOOM! Box; $14.99] was another fun visit with BFFs Esther, Daisy and Susan as they finish their second year of college. I enjoy the characters and how their lives combine comedy drama in roughly equal measures. The stories and adventures contained within are funny, to be sure, but there are also moments of heartbreak and doubt. Even when things get a bit slapstick, the stories feel real. I’m not surprised many consider Giant Days one of the best, if not the best, comics available today.

Other than my usual recommendation that you should try Giant Days if you’re not already reading it, I have nothing to add that I can add without spoiling some delicious moments for you. This volume reprints issues #33-36 of the series. The next volume, which will collect issues #37-40, is due in June. I’ll be waiting as eagerly for that volume as I did this volume.

ISBN 978-1-86415-310-7


I’m having a blast seeking out odd manga series to sample, though I recognize these are only odd from my American perspective. Even our slice-of-life graphic novels tend to be similar while Japanese creators go all over the spectrum.

Masao Ohtake’s Hinamatsuri Volume 1 [One Peace Books; $11.95] tells of an ambitious young yazuka member whose life is upended when an oval-shaped object falls into his apartment and “hatches” a young girl with psychic powers. Nitta suddenly finds himself as a father figure to the strange young lady while being driven to exasperation by how little she understands or fits into our world. On the other hand, Hina’s use and frequent misuse of her powers help him rise to higher position in the crime syndicate.

I’d describe Hinamatsuri as “dark humor lite.” The reality of the yakuza and their crimes is soft-pedaled with Nitta coming off as a struggling salaryman. I’m not entirely on board with this series, but enjoyed this first volume enough to keep reading it for now. If you’re feeling adventurous, you might enjoy it as well. The second volume is out with the third volume coming in June.

ISBN 978-1-64273-005-0

Continuing from this week’s opening…

Members of the workshop will be encouraged to e-mail their finished pages to me. I’ll be going over every “submission” with the intent of hiring one of these artists to draw an eight-page story for me. I don’t know where the completed story will appear, but the artist I choose will be paid the admittedly low rate of $50 a page for the work. I’ll retain all rights to the work, but that initial $50 page rate will be considered an advance against any future money earned by the completed story. If you come to my workshop and do the work, you could end up as a published artist.

I’ll be back next week with more reviews.

© 2019 Tony Isabella


April is here and I have two scheduled appearances this month. The first one is the Great Philadelphia Comic Con, April 12-14, at the Greater Philadelphia Expo Center, 100 Station Avenue, Oaks, PA. If you go to the convention’s website, it lists over two dozen comics industry guests, including Neal Adams, Don McGregor and Larry Hama. It also lists over three dozen media guests, including John Wesley Shipp, Alice Cooper and Rose McIver. Plus cosplay, gaming, and much more. It looks to be a spectacular event, made even more so because my Saintly Wife Barb will be attending with me. Best of all, there is no added admission price to see the world’s most patient woman, a wonderful person who has been married to me for just short of 35 years without strangling me.

I’ll tell you about my second April appearance on the other side of this week’s reviews…

Man and Superman 100-Page Super Spectacular by Marv Wolfman with artist Claudio Castellini [DC Comics; $9.99] is the best Superman story I’ve read in decades. Originally written over ten years ago for the defunct Superman Confidential title, it’s an epic retelling of Clark Kent’s first weeks in Metropolis.

I don’t use the term “epic” lightly. While Man and Superman might not have a cosmic catastrophe at its core – and I’m so very weary of those from both DC and Marvel – it gives us a super-hero who has justifiable doubts about his dual roles in the world, who overcomes those doubts and emerges as the hero who will soon become known as the world’s greatest super-hero. It’s an incredible Superman story, one that doesn’t rely on dozens of other heroes, that doesn’t need  to crossover with twenty other issues. It stands alone. Few things would be make me happier with DC and Marvel comic books that more adventures like this one.

Wolfman’s writing is some of his best. I’d compare it to his run on Tomb of Dracula or the first years of The New Teen Titans. Yes, he is a dear friend of mine, but he knows as well as anyone that does not influence my reviews in the slightest. He’s as good as he ever was, which says a lot for a fifty-plus-year career.

Castellini’s art is eye-catching where it needs to be and down to earth for the human drama.  The color art by Hi-Fi works with the story and art, never overwhelming it. The Tom Orzechowski lettering is right up there as well. Yes, Tom is also a dear pal and someone I hired when I was a Marvel editor. I have a lot of friends in this business. Thankfully, most of them are amazing at what they do. It keeps our too-rare meetings from becoming awkward.

Man and Superman is my pick of the week in a competitive week. It’s rated “T” for teen, but I’d have no problem giving it to a younger reader. It’s a terrific comic book.

NOTE: Before anyone sees a slight where there is none, I have not yet read the various Superman comic books written by Brian Michael Bendis. I plan on binge-reading them this summer.

Friendly Neighborhood

Marvel Comics seems to roll out a new Spider-Man title every month. Not all or even most of them are to my liking. That said, I really enjoyed Friendly Neighborhood Spider-Man #1 [$4.99] and #2 [$3.99]. The key element in my enjoyment is in the title:


I’m not kidding when I say I’m increasingly bored by cosmic battles and crossover overload. What won me over to this new Spidey title is that, even with some fairly odd goings-on, it has the feel of a down-to-earth super-hero title.

Written by Tom Taylor, whose efforts on DC’s Injustice and Marvel’s All-New Wolverine were first-rate, the title gives me a Spidey and a Peter Parker to whom I can relate. In both identities, our man is a good neighbor. His day-to-day civilian problems aren’t over the top, at least not for the Marvel Universe. I mean, I’m not sure why he has Boomerang for a roommate, given that said villain has been a cold-blooded assassin for pretty much his entire comics history, but I’ll give Taylor some rope here.

Artist Juann Cabal’s provides some lively visuals throughout these issues. Despite having seen a great many double-page shots of Spidey swinging among the skyscrapers, I was very impressed by Cabal’s version of that well-worn image. Kudos also to color artist Nolan Woodward and letterer Travis Lanham.

The basic fun atmosphere of the book still allows for some fairly heavy human drama. A back-up story in the first issue – with art by penciller Marcelo Ferreira, inker Roberto Poggi, color artist Jim Campbell, and letterer Lanham – promises some difficult times for Peter and a beloved supporting character.

Let’s call Friendly Neighborhood Spider-Man “my” Spider-Man comic for now. I’m looking forward to future issues.

Exorsisters 1

Ian Boothby is one of my favorite comics writers. He was the best of the Simpsons Comics writers at Bongo Comics. He’s done some fine and funny work for MAD. Not enough comics afficinados know his name and they should. All of which brings us to Exorsisters #1-5 [Image; $3.99 each] with excellent art by Gisele Lagace; great color art by Pete Pantazis of Black Lightning: Cold Dead Hands fame; and solid lettering by Taylor Esposito.

The title stars are Cate and Kate Harrow. Their mother is a piece of work who dragged them into her deals with the devil. Their job is to be pains in the buttocks to said devil and others of his ilk. I don’t want to reveal more because there are many cool surprises in these issues.

Boothby brings a lot of character to the young ladies. He combines supernatural suspense with considerable humor. Lagrace is more than up to providing the visuals. I’ve loved her work since the moment I saw it. Someday, short of making a deal with the devil, I’d love to work with her.

Exorsisters Volume 1: Damned if You Don’t [$16.99] will be hitting the comics shops any day now. It’s rated T+ for teen plus because it’s got that supernatural element in it. If there’s a down side to this volume, it’s that it ends on a cliffhanger. But, that aside, it does deliver a big chunk of satisfying story. I recommend it to teen and older readers.

ISBN 978-1534312043

The second of my April appearances is a Coffee and Comics workshop in conjunction with the Ohio Center for the Book and the Cleveland Public Library. It happens on Saturday, April 27, 10:00-11:30 am at the Rising Star Coffee Roastery, 3617 Walton Avenue in Cleveland, Ohio. I’ll be discussing comics storytelling with a few surprises for the “class.” I’ll have more information on this event in next week’s column. See you then.

© 2019 Tony Isabella


I’m about a week away from what some might call “spring cleaning” and I call “getting ready for summer’s Vast Accumulation of Stuff garage sales.” I have so much stuff I can’t call it a collection. If it were a real collection, I’d actually know what I own and add  to it without buying duplicates. My two-fold dream is to achieve collection status within the next three years and get rid of my two storage units by the end of this summer.

If you follow my bloggy thing or follow me on Facebook and Twitter, you’ll see announcements of my garage sales come May. We’ve had a lot of fun with these in previous years with fans getting all sorts of cool items at very low prices. We even held a “Garage Con” one time featuring a panel discussion between me, legendary comics writer Mike W. Barr and Crankshaft/Funky Winkerbean cartoonist Tom Batiuk. This year, I’m hoping to do similar convention-like things during my garage sales. I’ll keep you posted.

On to the reviews…

Dick Tracy: Dead or Alive [IDW; $15.99] collects the recent mini-series by Lee Allred (writer), Michael Allred (writer, inker), Laura Allred (colorist) and penciler Rich Tommaso, who I assume is their cousin or something. This is a fun family.

The four-issue series offered a wild take on classic Dick Tracy. I very much liked the detective’s modest re-imagining as a cop who is so good he keeps getting fired by officials who are afraid he will come after them with the same zeal with which he comes after more open criminals. So he gets bounced from city to city and, in this series, he’s fighting crime in “the city by the lake.” Though there are several cities who claim that description, I’m thinking Chicago is the setting here.

Dead or Alive is modern retro, if you will. It has the feel of the maniac Chester Gould newspaper strips of the past, but it also has a present-day sense of humor that made me chuckle. It has the crazy violence of the Gould strips, maybe even ramped up a notch. Classic heroes and villains are shown in different lights. It’s the Dick Tracy of a parallel universe.

Tommaso’s art exaggerates the Gould stylings. His storytelling is exciting and fun. The writing and coloring are also as sharp as a knife throughout the four issues. I’m glad I read them all in one sitting because I couldn’t turn the pages fast enough.

Dick Tracy: Dead or Alive will be published in April. Only the most rigid of Tracy fans won’t love it. It’s my pick of the week.

ISBN 978-1684054145

Hobo Mom

Hobo Mom by Charles Forsman and Max de Radiguès [Fantagraphics; $14.99] teams two internationally-renowned cartoonists to tell the story of a family split by the title character. Natasha abandoned her husband and daughter to ride the rails. Tom is raising their pre-teen daughter Sissy. The young girl wants a mother. Tom still loves his wife. Natasha has returned because he wants to meet her daughter, be with her husband and try to make their family whole. Both Natasha and Tom struggle to make it work.

The two-color art of this graphic novelette is enticing. It’s deep and simultaneously simple. Which describes the story it tells and the emotional states of its characters. Though the book’s 64 pages doesn’t seem like a great deal of content, I think it’s the right length for the story and it’s a story I kept thinking about after I read it. I like that.

Hobo Mom isn’t a classic and, good as it is, I don’t see it picking up many award nominations. It’s definitely worth reading because of its quality and because it represents how many different kinds of stories the comics art form can tell.

ISBN 978-1-68396-176-5


I’m continuing to explore manga series available through my local library system. My most recent “discovery” was Maid-sama! 2-in-1 Edition Vol. 1 by Hiro Fujiwara [VIZ Media LLC; $14.99]. The book collects the first two volumes of the series.

Misaki Ayuzawa attends a high school that had been all-male and is still predominantly male. Through sheer force of effort and will, she becomes class president and is determined to raise the slovenly standards of the male majority. She seems to hate men, but that’s only one of the amusing elements in play.

Misaki does not come from wealth. Indeed, with her father gone, she works to help support her family. None of her classmates know what her after-school job is: she’s a maid in a maid café. Her secret is safe…until school heartthrob Takumi Usui walks into the café and recognizes her. Thus begins the maybe romance.

Misaki is kind of unpleasant, but she really does care about making her high school, lowly though some consider it, the best it can be. Takumi teases her, but he always had her back when she needs him. Even when she doesn’t realize she needs him.

Maid-sama is a little bit farce, a little bit romance, a little bit class warfare. The last element revolves around the arrogant class president of a much classier high school and his attempt to break Misaki.

I wasn’t sure what I thought of this volume while I was reading it. However, once I finished and reflected on it, I decided I was into it enough to try the next volume. We’ll see if it continued to hold my interest and entertain me.

Maid-sama has been around for quite a while. There are nine two-in-one volumes currently available. If you like manga and like trying different kinds of manga, you might enjoy this one.

ISBN 978-1-4215-8130-9

My next convention appearance will be the Great Philadelphia Comic Con, April 12-14, at the Greater Philadelphia Expo Center, 100 Station Avenue, Oaks, PA 19460. There will be over two dozen comics industry guests, including Neal Adams, Don McGregor and Larry Hama. There will be over three dozen media guests, including John Wesley Shipp, Alice Cooper and Rose McIver. It looks to be a spectacular event and I’m looking forward to attending.

I’ll be back next week with more reviews.

© 2019 Tony Isabella


Voting on comics awards is becoming a nigh-impossible task. There is so much amazing material out there from both the mainstream and the independent, and from all over the world. Most weeks, it’s even tough for me to pick my “pick of the week.” That’s not remotely the case this week.

Brian Fries won an Eisner Award for Mom’s Cancer, his first graphic novel. It was a moving account of his parent’s illness. He has won or been nominated for other awards since then. His latest graphic novel will doubtless receive well-deserved acclaim.

A Fire Story [Harry N. Abrams; $24.99] is a powerful account of how Fries and his wife Karen lost their home in wildfires that scorched northern California in October, 2017. Forty-four people died in the fires. Over six thousand homes and almost nine thousand structures were destroyed. In a matter of terrifying minutes, Fries and his wife lost their home and all but a few of their possessions. To me, it seems an unimaginable loss, one that might well end me. Fries had a different and more positive response.

He turned his tragedy into a first-hand online graphic memoir told with whatever tools he could pull together. The online version of this print memoir appeared on multiple news outlets and animated into a short feature. This is a refinement of the original version, albeit one that loses none of its original impact.

This book covers the fire, the destruction, the loss, the gratitude of the survivors, the aftermath, the helping one another put lives back in order, the quest to find normal again and the determined, slow rebuilding. The last is a work in progress.

Interspersed with the story of the Fries are stories of others who were caught in the wildfires. That Fries expanded his personal tale to include others is the mark of a keen journalist. It may be his fire story, but it is not his fire story alone.

I am in awe of the writing and art in this graphic novel. It is a terrifying story that still makes room for moments of joy. I got a bit teary when Fries and Karen present their adult daughters with their favorite stuffed animals from their youth.

A Fire Story is yet another example of how good comics can be and how much they can add to our lives and our conversations about our lives. You need to read this book. It needs to be in every public or school library. I say that a lot, but never lightly. Just as the entertainment business is driven by comics, so do comics expand and inform our concepts of literature on a daily basis. Comics are the premiere art form of our times.

A Fire Story is my pick of the week.

ISBN 978-1-4197-3585-1



As with many good things in my life, I was introduced to Garfield by Don and Maggie Thompson. They told me the just-launched Garfield trade paperbacks were a great way to reprint comic strips. Though I had never read the Jim Davis strip prior to this, I bought that first collection and at least a dozen more before a lack of money and time forced me to halt this practice. I sold these paperbacks over the years since then.

Garfield Complete Works: Volume 1: 1978 & 1979 (Ballantine; $25] marks my return to collecting and reading a strip I have continued to enjoy for close to its entire forty years and counting. Because Garfield has been around so long, it is an easy target for haters who could never manage a week’s worth of entertaining comic strips, much less four decades worth.

The characters were great from the start and have evolved over the years. Some of the evolution is in their designs; the Garfield of yesteryear is not physically the Garfield of today. Jon’s roommate Lyman and his dog Odie moved in. Lyman left; Odie remained to be a wonderful foil for Garfield and even best the cat occasionally. Jon crushed on his pet’s veterinarian. She spurred his advances until, suddenly, she didn’t. They are now a couple. Change isn’t swift in Garfield, but it happens and happens without losing the laughs that have always been part of the strip.

This 6.7 by 8.5 inches volume collects the first two years of the strip. It has an introduction by Davis in which he expresses both his gratitude for the success of his creation and the joy he still experiences from him. I’m with him there.

Rereading these defining strips was a delight. As soon as I finish writing this week’s column, I’m ordering the second volume. These are entertaining and well-made books. This time, I’m in for as long as the series continues.

ISBN 978-0-425-28712-5



Manga fascinates me because there seems to be no end to the manga that falls into a “I’ve never seen anything quite like this” range. This week, I read Moteki Love Strikes! 1 by Mitsurou Kubo [Vertical Comics; $18.95]. This 438-page volume is about a man closing in on thirty seeking love or, failing that, sex. I’m going to let the back-cover blurb cover the basics:

Yukiyo Fujimoto’s life has been in a rut. He is about to turn thirty and has never held a steady job or had a girlfriend. And at a time when the prospects for hope seem at their lowest, suddenly his phone blows up! Out of the blue he is contacted by several women from his past! His moteki has finally come!! Love has struck and cupid’s arrow has hit him repeatedly and, coincidentally, all at the same time! Yukiyo may seem to have many options now, but is he ready for love? And are any of these women? The stage for love might be set, but the time might only be right for him to finally grow up!

“Moteki” is a Japanese slang term for a period of time when someone becomes popular with the opposite sex. Fujimoto thinks his moteki has come, but it’s not the easy path he expects. All of the issues and quirks that kept him from getting together with women are still there and, in some cases, have evolved with the life of the women who contact him. He’s as clueless as ever.

I found this volume entertaining, but I have serious reservations about recommending it. There is some crude behavior on the parts of both male and female characters, behavior that might well have been acceptable in Japan when the manga was published a decade ago, but makes me uncomfortable today. I think readers should try to get the book through their local libraries and make up their own minds if this is something they’d enjoy.

ISBN 978-1-945054-80-8

My next convention and other appearances are in April, so I get to stay home. Writing, reading comics, watching TV shows and monster movies; those are all nice breaks from the road.

I’ll be back next week with more reviews.

© 2019 Tony Isabella


As this week’s column posts, I’m traveling back to my Medina, Ohio home after spending the weekend attending the Big Apple Comic Con in New York City. My mystic powers tell me I had a wonderful time introducing my Saintly Wife Barb to my friends there.

If I’m reading my schedule correctly, I won’t have to hit the road for another event until the Great Philadelphia Comic Con on April 12-14. An entire month of staying at home, writing, watching movies and TV shows and, of course, reading cool stuff so I can tell you about it right here in “Tony’s Tips!”

First up this time around and my pick of the week is The Life of Frederick Douglass: A Graphic Narrative of a Slave’s Journey from Bondage to Freedom by David F. Walker with illustrators Damon Smith and Marissa Louise [Ten Speed Press; $19.99]. After escaping from slavery, the brilliant Douglass became many things. He was a social reformer, a crusading abolitionist who fought for women’s rights as well as for the freedom of slaves, a riveting orator, a compelling writer and a statesman whose services were requested by presidents and other powerful men. He broke barriers in many ways, including being praised by a history-challenged president who thought he was still alive.

Walker does a magnificent job capturing Douglass in this narrative. Readers will feel the degrading horror that was slavery and revel in how Douglass overcomes his past to become a beacon of hope for many, even today. There are parts of this book that are difficult to read. Yet, at its conclusion, despite all the parts of his life that Douglass could never know, there is triumph. Even knowing we as a nation face challenges born of the past and not yet conquered, there is triumph.

Artist Smith and colorist Louise provide visuals that are dramatic and fluid and real. Several prose articles throughout the book add a greater understanding of Douglass and his world.

The Life of Frederick Douglass is a graphic novel that should be in every personal, public and school library. It should be nominated for every comics industry award for which it is eligible. It is a work to be cherished.

ISBN 978-0-399-58144-1


Moved to Los Angeles

I Moved to Los Angeles to Work in Animation by Natalie Nourigat [BOOM! Box; $9.99] is more than the story of a woman who left her life in Portland to pursue a new career. Nourigat had been making her own comics and working as a commercial artist in Portland. But, as I’ve been hearing from comics friends who lived there, Portland has become more expensive with each passing year. Los Angeles isn’t cheap, but opportunities there can come with good pay and benefits.

Nourigat takes her readers through her journey, showing all of the many steps it takes to build a reasonably stable career in TV and movie animation. Though the book is a slim 96 pages, she includes copious advice toward pursing such a career. Finally, she brings in several other cartoonists to give their perspectives on working in Los Angeles and in animation.

I Moved to Los Angeles is a mightily useful book. Nourigat relates her life and her advice in clear and humorous style. You get a good feel for her and her work. I liked this book a lot.

As graphic works go, this is fairly inexpensive. I’d recommend it to fans who are interested in the behind-the-scenes stuff and also, especially, to students who are contemplating an animation career. Kudos to Nourigat for sharing her knowledge.

ISBN 978-1-68415-291-9


Sally the Sleuth

I call right now the real Golden Age of Comics because of the vast availability of so many different kinds of comics from all over the world and from every era of comics history. Addressing the latter, we are getting collections of great old comics and comics that are perhaps not so great but which are just plain fun or of historical interest.

Sally the Sleuth [Bedside Press; $20] clicks off both my fun and my historical import boxes. Created by Adolphe Barreaux, Sally got her start in 1934 in two-page, black-and-white comic strips that ran in Spicy Detective Stories. Sally’s adventures were compact and, for the era, quite salacious. The feisty lady rarely remained clothed past the first page of any story. She was tied up by the villains in many tales and, occasionally, whipped while being held captive. Even so, the criminals were always brought to justice, fatally in some cases, and Sally was always part of that justice.

Though Sally worked for a “chief” who also seemed to be her lover and he rescued her most of the time, she solved many cases on her own and rescued him on occasion. She was sassy and sexy. What Doc Savage would have called a “brick,” though the Man of Bronze would have blushed at her nudity and her suggestive dialogue.

Just from a storytelling standpoint, I am impressed by the ability of the writers to tell a fairly complete story in just two pages. Later in her career, the stories would run four pages.

In 1950, Sally left the Spicy Detective Stories pulp magazine for Crime Smashers. Her adventures ran in the first fifteen issues of that comic book. The stories were longer and in full color. Also, Sally kept her clothes on. I found that a little bit disappointing. Don’t hate me.

Editor Hope Nicholson did a terrific job with this collection. The introduction by Tim Hanley is fascinating.

At just under 300 pages, Sally the Sleuth delivers a lot of fun for a very reasonable price. I recommend it.

ISBN 978-1-98871-5223

That’s all for now. I’ll be back next week with more reviews.

© 2019 Tony Isabella


Whew! This year got off to a busy start, what with my trip to the Black Lightning set in Atlanta, a couple comics conventions and a few personal matters. I’m back in the saddle and will once again be bringing you tips on great comics on a weekly basis.

My second 2019 convention was Pensacon in Penascola, Florida. It’s my favorite convention, partly because the whole city embraces the event. The airport changes its gates to “stargates.” Several of the city’s best restaurants adopt themes appropriate to the convention. My son Ed and I had a great meal at the Fish House, which was all decked out as Hogwarts. I barely noticed the dementor that hovered over me while I dined. The restaurant even took a photo of me for its Wall of Fame. When I dine there next year, I’ll be able to see myself hanging among presidents, astronauts, entertainers, sports stars and others. I’ll be the photo people will be pointing at and asking “Who the heck is that?”

On to this week’s reviews…

Let’s make it official. Scooby-Doo Team-Up is my current favorite ongoing series. Sholly Fisch writes brilliantly funny stories that work on multiple levels, making the book accessible to and fun for readers of all ages. Dario Brizuela delivers instantly recognizable visuals for the Scooby Gang and their guest stars. His storytelling skills are just good.

Scooby Doo Team-Up Volume 6 [DC; $12.99] collects issues #31-36 of the series. We get team-ups with the Atom, Atom Ant, the Legion of Super-Heroes, the Birds of Prey (Batgirl, Black Canary, Huntress], Yogi Bear and Angel and the Ape. The Birds of Prey story has a line that made me laugh out loud. Asked why she isn’t traveling around the country with Green Lantern and Green Arrow, Ms. Lance replies “Sometimes I need a break from Green Arrow’s constantly talking about ‘hideous moral cancer’ and ‘failing this city.’” Fisch draws from all the incarnations of the characters as he crafts adventures that are both funny and thrilling.

The afore-mentioned Angel and the Ape adventure includes more than a dozen characters from DC humor titles of the 1960s. Fisch gives us alternate takes on Bob Hope and Jerry Lewis while guest-starring the Inferior Five and many others. The final character reveals of the story had me cackling with delight.

I recommend Scooby-Doo Team-Up for comics readers of all ages. I’ve been reading them through my local library system, but I have just now purchased all six volumes. They deserve a place in my personal comics library.



Marie Kondo

My office is a mess with books and DVDs and Godzilla knows what all over the place. The same holds true for my son’s old bedroom, now the repository of boxes of comics…and a corner of my wife and my master bedroom…and half of our downstairs family room…and what I laughingly call my reading room…and half our basement. My great plan to reduce and finally organize my Vast Accumulation of Stuff has clearly not survived contact with the enemy. And so I turn to the East for wisdom.

Marie Kondo is a #1 New York Times bestselling author and the star of Netflix’s Tidying Up with Marie Kondo. Drawn by Yuko Uramoto, The Life-Changing Manga of Tidying Up: A Magical Story [Ten Speed Press; $14.99] distills Kondo’s methods into a fun story of a young woman who, with Kondo’s guidance, transforms her messy apartment, her unorganized work and her love life. I’m doing okay with my love life, but, geez, could I use help with the other stuff!

I got a kick out of this manga. Watching Chiaki get her, err, stuff together was enjoyable. I considered Kondo’s methods with far more interest than I would have imagined at the start of the book…and started thinking about which of her methods would be useful to me.

Keeping the possessions that spark joy is a key element of Kondo’s methods. This manga certainly sparked joy in me. I would recommend to anyone who likes comics that are outside the usual. I would also recommend as a gift for friends and other loved ones who might not be avid comics readers, but would enjoy this comic.

Now to start tackling my clothes closets. Because old clothes that no longer look good on me definitely do not spark joy.

ISBN 978-0-399-58053-6


Comic Book Killer

Originally published in 1988, The Comic Book Killer by Richard A. Lupoff [Borgo Press; $16.99] is the first in the author’s Lindsey and Plum series. Lindsey is a white suburban bachelor who works for an insurance company and who takes care of his invalid mother. Plum is a black detective. Forced to work together on a case involving the theft of a half million dollars worth of comics and the murder of the comics store owner putting the pricy collection together for a client, they are as different as two people could be.

The intricate plot stretches back to World War II. Comics history plays a key role, as does the history of the faux-comics that are part of the pricy collection. Unsuspected connections arise as the case progresses, as does romance between the insurance investigator and the beautiful detective. I don’t want to spoil this novel any further, but I will add that those connections elicited more than one “Wow!” from me when revealed.

This Borgo edition was published in 2012 and it’s the edition that I recommend to you. In addition to the prose novel, it contains 20 pages of faux-comics from Gangsters at War. One of the stories is drawn by Trina Robbins.

The Lindsey and Plum series runs to nine books. All of them involve collectors of one sort or another. This is the only one featuring comic books. But I liked this debut novel so much that I’m reading the entire series.

ISBN 978-1-4344-4520-9


My next convention appearance is the Big Apple Comic Con, March 9-10, at The Penn Plaza Pavilion, Pennsylvania Hotel, 401 7th Avenue in New York City. Guests include William Shatner, Mike Colter, Jim Steranko and many others. I’d love to see you there.

I’ll be back next week with more reviews.

© 2019 Tony Isabella